Movie: Blue
Music: A R Rahman
Lyrics: Abbas Tyrewala
Singer: Rashid Ali
Music Label: T-Series
bhoola tujhe, kaise kahaan
hua tujhse, kab juda
ya khuda
when and where did I forget You
when did I ever get away from You
O my Lord..
hasoon ya main, roun bata
hui mujhse kya khata
kya gunaah
mere khuda
shall I laugh or cry, tell me,
what mistake I have made?
which crime,
tell me, my Lord.
yahi hai jo maalik teri razaa
meri aazmaaish hai ya sazaa
hayaat qayamat ki ya hai qazaa
mere khuda
if this is your wish, my Lord,
is it a test for me, or a punishment?
is it Life on Judgement day or Death?
O my Lord.
bhoola tujhe kaise kahaan
hua tujhse kab juda
ya khuda
pyaare khuda
pyaare khuda
bache koi khud se bhi
bache na wo kismat se
bacha to wo bas teri azmat se
even if someone is saved by himself,
he is not saved by luck,
but saved by your greatness only.
der se ki dua
dil se pehli baar ye aayi hai
mere pyaare khuda
mere pyaare khuda
I prayed late,
but this has come from the heart for the first time,
O my sweet Lord.
bhoola tujhe kaise kahaan
hua tujhse kab juda
ya khuda
hasoon ya main roun bata
hui mujhse kya khata
kya gunaah
mere khuda
yahi hai jo maalik teri razaa
meri aazmaaish hai ya sazaa
hayaat qayamat ki ya hai qazaa
mere khuda
mere pyaare khuda
mere pyaare khuda
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A R Rahman लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं
A R Rahman लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं
गुरुवार, 4 फ़रवरी 2016
शनिवार, 14 नवंबर 2015
Chhamak Chhoriyan se Nayanwa Ladawat Wat Wat Lyrics Translation | Tamasha
Movie: Tamasha
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Arijit Singh, Shashwat Singh
Music Label: T-Series
chhammak chhoriyaan se nayanwa laDawat
wat wat wat wat wat wat wat
laDaawat wat wat wat wat
uDti chiDiya ke haldi ragaD ke lagawat
wat wat wat wat wat wat wat
lagaawat wat wat wat wat
I meet the eyes with hot girls,
I do that..
I rub turmeric on the flying bird,
I do that..
[This song, especially this part, is like a boast, as to how the guy is not afraid of having an affair with any beautiful girl, and how he catches flying ‘birds.’ The translation isn’t very literal, as wat wat doesn’t even have any meaning really. More on that here.]
o re beauty, apni duty
tumpe line maarke nibhawat hai
chhoD diyal re sharaafat hai
khud hi liyal ee aafat hai
tohre pichhe sab se humri
jam ke ho gayi laaTh laThaawat
aawat jaawat..
O beauty, I have done my duty
by flirting with you..
I have left gentlemanliness
and taken this problem for myself,
after you left, I have also had
fights with everyone
all the time..
chhamak chhoriyan se nayanwa laDawat
vat vat vat vat vat vat vat
laDaawat wat wat wat wat
uDti chiDiya ke haldi ragaD ke lagawat
wat wat wat wat wat wat wat
lagaawat wat wat wat wat
o.. hum humai se tohri batiyaan
karke bakhat bitaave hain
khudayi hanste, khudayi rote
khudayi khudko sataave hain
tohre kaaran basti saari
humka karat majaak re
pehle yaan pe phirte the hum
apni pooori dhaak re
dikhawat wat wat wat wat wat wat
dikhawat wat wat wat wat wat wat
I talk to myself about you
and pass time..
I laugh by myself, cry by myself,
and trouble myself too.
because of you the entire street
makes fun of me..
earlier, when I roamed here,
there was much respect/fear for me..
which used to show..
chhamak chhoriyan se nayanwa laDawat
wat wat wat wat wat wat wat
ladaawat wat wat wat wat
udat chidiya ke haldi ragad ke lagawat
wat wat wat wat wat wat wat
lagawat wat wat wat wat
jaan gayal ke surkhi kajra Tep-Taap ke
laTke jhaTke maar tu humka phasaave
par ee to bataa
tu kaun disa, tu kon mulq yoon haank le jaave
haule haule baat pe tu humri waaT laga
I now know that applying rosiness (to cheeks) and kohl (to eyes)
dancing, you are trapping me..
but tell me,
to which direction, to which country are you driving me this way
slowly, on everything you screw me..
chhamak chhoriyan se nayanwa laDawat
wat wat wat wat wat wat wat
ladaawat wat wat wat wat
udat chidiya ke haldi ragad ke lagawat
wat wat wat wat wat wat wat
lagawat wat wat wat wat
chhamak chhoriyan se nayanwa laDawat
wat wat wat wat wat wat wat
ladaawat wat wat wat wat
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Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Arijit Singh, Shashwat Singh
Music Label: T-Series
chhammak chhoriyaan se nayanwa laDawat
wat wat wat wat wat wat wat
laDaawat wat wat wat wat
uDti chiDiya ke haldi ragaD ke lagawat
wat wat wat wat wat wat wat
lagaawat wat wat wat wat
I meet the eyes with hot girls,
I do that..
I rub turmeric on the flying bird,
I do that..
[This song, especially this part, is like a boast, as to how the guy is not afraid of having an affair with any beautiful girl, and how he catches flying ‘birds.’ The translation isn’t very literal, as wat wat doesn’t even have any meaning really. More on that here.]
o re beauty, apni duty
tumpe line maarke nibhawat hai
chhoD diyal re sharaafat hai
khud hi liyal ee aafat hai
tohre pichhe sab se humri
jam ke ho gayi laaTh laThaawat
aawat jaawat..
O beauty, I have done my duty
by flirting with you..
I have left gentlemanliness
and taken this problem for myself,
after you left, I have also had
fights with everyone
all the time..
chhamak chhoriyan se nayanwa laDawat
vat vat vat vat vat vat vat
laDaawat wat wat wat wat
uDti chiDiya ke haldi ragaD ke lagawat
wat wat wat wat wat wat wat
lagaawat wat wat wat wat
o.. hum humai se tohri batiyaan
karke bakhat bitaave hain
khudayi hanste, khudayi rote
khudayi khudko sataave hain
tohre kaaran basti saari
humka karat majaak re
pehle yaan pe phirte the hum
apni pooori dhaak re
dikhawat wat wat wat wat wat wat
dikhawat wat wat wat wat wat wat
I talk to myself about you
and pass time..
I laugh by myself, cry by myself,
and trouble myself too.
because of you the entire street
makes fun of me..
earlier, when I roamed here,
there was much respect/fear for me..
which used to show..
chhamak chhoriyan se nayanwa laDawat
wat wat wat wat wat wat wat
ladaawat wat wat wat wat
udat chidiya ke haldi ragad ke lagawat
wat wat wat wat wat wat wat
lagawat wat wat wat wat
jaan gayal ke surkhi kajra Tep-Taap ke
laTke jhaTke maar tu humka phasaave
par ee to bataa
tu kaun disa, tu kon mulq yoon haank le jaave
haule haule baat pe tu humri waaT laga
I now know that applying rosiness (to cheeks) and kohl (to eyes)
dancing, you are trapping me..
but tell me,
to which direction, to which country are you driving me this way
slowly, on everything you screw me..
chhamak chhoriyan se nayanwa laDawat
wat wat wat wat wat wat wat
ladaawat wat wat wat wat
udat chidiya ke haldi ragad ke lagawat
wat wat wat wat wat wat wat
lagawat wat wat wat wat
chhamak chhoriyan se nayanwa laDawat
wat wat wat wat wat wat wat
ladaawat wat wat wat wat
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रविवार, 18 अक्टूबर 2015
Chali Kahani Lyrics Translation | Tamasha
Movie: Tamasha
Music: A R Rahman
Lyrics: Irshad Kamil
Singers: Sukhwinder Singh, Haricharan, Haripriya
Music Label: T-Series
The song is like a theme song for the movie, as in, the movie's theme is that there is one love story that keeps on going, again and again, in different places, in different times, and yet it is that one same story. This song here connects a few of the stories in the same way.
tirkiT taal se lo chali kahaani
panghaT kaal se lo chali kahaani
ho.. sarpaT dauDti hai faqat zubaani
chhutput aashiqui mein Dhali kahani
see, the story begins with a rhythm of percussion,
see, the story begins from the time of panghat,
it runs uninhibited on just the spoken word.
the story, moulded in love stories now and then.
Note: panghat means just a place where people go to fetch water, on the river bank. But here it probably signifies the time of Lord Krishna where Radha and gopis used to go to panghat to fetch water.
angin saal se hai wahi purani
tere mere ishq ki ye nayi kahani
aati kahaan se hai ye jaati kahaan kya pata..
from the time immemorial, that same old one,
this new story of love yours and mine,
from where it comes and where it goes, who knows..
ye chenaab ka dariya hai
ye ishq se bharya
wo leheron pe balkhati
Mahiwal se milne jaati
wo naam ki Sohni bhi thi
Mahiwal ki honi bhi thi
it’s the river chenaab,
it’s full of love,
she used to go to meet Mahiwal,
dancing on the waves here,
even her name was Sohni (means beautiful)
and she had to be Mahiwaal’s too.
lekin bhay kans ka tha usko to phir
Vasudev ne kaanha ko lekar
jamuna se paar langaaya..
dariya se to Firaun ki behena ne phir Moosa uThaya
but she was afraid of Kans
Vasudev took Krishna,
and went across Yamuna (to save him),
and Firaun’s sister picked up Musa from the river..
Note: Now this sounds like the same story going on, but from Sohni-Mahiwaal we have moved to Devaki’s story who is afraid of Kans for her son Krishna and Krishna is saved by Vasudev, and then in the fourth line the song moves to Moosa who was saved from a river by Firaun’s sister. Interestingly, in all three stories, there are rivers there and they seem to be connected here in a way.
chali kahani, chali kahaani
chali kahani, chali kahaani
chali kahani, chali kahaani
chali kahaani..
tirkiT taal se… kya pataa..
birha ka dukh kaahe ho baanke
dikhe mohe tu hi jiya mein jo jhaankiye
pal pal ginti hoon aaThon hi pahar
kitne baras hue mohe haan kiye
naina nihaaro more bhor se jhare
preet mori piya baaton se na aankiye
main hi mar jaaun ya mare dooriyan
dooriyon ki chaadaron pe yaadein Taankiye
why should there be sorrow of separation, O boy,
I’ll see you only if I see inside my heart..
all eight divisions of day-night, I count every moment,
how many years have passed since I said Yes.
Look at my eyes, they flow since morning,
O my beloved, don’t assess my love from my words
[i.e. my words can’t explain what I feel, though my tears can tell you something.]
I should die or these distances should die,
can you sew memories on the sheets of distances..
Note: I am not too sure on this, but the language seems like this is being said by Meera.
wo uTha virodhi parcham
mughal-e-azam ko tha ye gham
shehzada mohabbat karke
izzat ka karega kachra bhaasam..
Troja ki thi Helen
tha itni raksha mein raavan
antatah bheeshan yuddham krandan
mera to raanjhan mahi ranjhan raanjhan!
and then, a flag rose in rebellion,
Lord Akbar’s sorrow was this,
that the prince, falling in love
would ruin his honor..
It was the Helen of Troy,
and there was Raavan in so much safety,
but in the end there was such big war and crying,
Oh, Ranjha is my beloved, my Mahi is my beloved.
Share:
Music: A R Rahman
Lyrics: Irshad Kamil
Singers: Sukhwinder Singh, Haricharan, Haripriya
Music Label: T-Series
The song is like a theme song for the movie, as in, the movie's theme is that there is one love story that keeps on going, again and again, in different places, in different times, and yet it is that one same story. This song here connects a few of the stories in the same way.
tirkiT taal se lo chali kahaani
panghaT kaal se lo chali kahaani
ho.. sarpaT dauDti hai faqat zubaani
chhutput aashiqui mein Dhali kahani
see, the story begins with a rhythm of percussion,
see, the story begins from the time of panghat,
it runs uninhibited on just the spoken word.
the story, moulded in love stories now and then.
Note: panghat means just a place where people go to fetch water, on the river bank. But here it probably signifies the time of Lord Krishna where Radha and gopis used to go to panghat to fetch water.
angin saal se hai wahi purani
tere mere ishq ki ye nayi kahani
aati kahaan se hai ye jaati kahaan kya pata..
from the time immemorial, that same old one,
this new story of love yours and mine,
from where it comes and where it goes, who knows..
ye chenaab ka dariya hai
ye ishq se bharya
wo leheron pe balkhati
Mahiwal se milne jaati
wo naam ki Sohni bhi thi
Mahiwal ki honi bhi thi
it’s the river chenaab,
it’s full of love,
she used to go to meet Mahiwal,
dancing on the waves here,
even her name was Sohni (means beautiful)
and she had to be Mahiwaal’s too.
lekin bhay kans ka tha usko to phir
Vasudev ne kaanha ko lekar
jamuna se paar langaaya..
dariya se to Firaun ki behena ne phir Moosa uThaya
but she was afraid of Kans
Vasudev took Krishna,
and went across Yamuna (to save him),
and Firaun’s sister picked up Musa from the river..
Note: Now this sounds like the same story going on, but from Sohni-Mahiwaal we have moved to Devaki’s story who is afraid of Kans for her son Krishna and Krishna is saved by Vasudev, and then in the fourth line the song moves to Moosa who was saved from a river by Firaun’s sister. Interestingly, in all three stories, there are rivers there and they seem to be connected here in a way.
chali kahani, chali kahaani
chali kahani, chali kahaani
chali kahani, chali kahaani
chali kahaani..
tirkiT taal se… kya pataa..
birha ka dukh kaahe ho baanke
dikhe mohe tu hi jiya mein jo jhaankiye
pal pal ginti hoon aaThon hi pahar
kitne baras hue mohe haan kiye
naina nihaaro more bhor se jhare
preet mori piya baaton se na aankiye
main hi mar jaaun ya mare dooriyan
dooriyon ki chaadaron pe yaadein Taankiye
why should there be sorrow of separation, O boy,
I’ll see you only if I see inside my heart..
all eight divisions of day-night, I count every moment,
how many years have passed since I said Yes.
Look at my eyes, they flow since morning,
O my beloved, don’t assess my love from my words
[i.e. my words can’t explain what I feel, though my tears can tell you something.]
I should die or these distances should die,
can you sew memories on the sheets of distances..
Note: I am not too sure on this, but the language seems like this is being said by Meera.
wo uTha virodhi parcham
mughal-e-azam ko tha ye gham
shehzada mohabbat karke
izzat ka karega kachra bhaasam..
Troja ki thi Helen
tha itni raksha mein raavan
antatah bheeshan yuddham krandan
mera to raanjhan mahi ranjhan raanjhan!
and then, a flag rose in rebellion,
Lord Akbar’s sorrow was this,
that the prince, falling in love
would ruin his honor..
It was the Helen of Troy,
and there was Raavan in so much safety,
but in the end there was such big war and crying,
Oh, Ranjha is my beloved, my Mahi is my beloved.
Share:
शुक्रवार, 16 अक्टूबर 2015
Tu Koi Aur Hai Lyrics Translation | Tamasha
Movie: Tamasha
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: A R Rahman, Alma Ferovic, Arjun Chandy
Music Label: T-Series
This is a gem from the album. Sung by none other than A R Rahman himself, the song inspires one to do what one wishes to do, rather than be what the world wishes them to be, telling them that they can do anything they wish to do.
tu koi aur hai
jaanta hai tu
saamne is jahaan ke
ik naqaab hai
tu aur hai, koi aur hai
kyun nahi wo, jo hai
you are someone else.
you know that.
in front of this world,
there is a mask,
(and) you are someone else, someone else.
why aren’t you what you are?
tu jahaan ke waaste khud ko bhool kar
apne hi saath naa aise zulm kar
khol de wo girahein
jo lagaaye tujhpe tu
bol de tu koi aur hai
chehre jo oDhe tune wo
tere kahaan hain..
for the world, don’t you forget yourself
and oppress yourself.
open those ties
in which you have tied yourself.
speak up, that you are someone else.
the faces that you wear,
they are not yours..
saamne aa, khol de sab
jo hai dil mein bol de ab
saamne aa, khol de sab
jo hai dil mein bol de ab
come out, open up everything.
whatever is in your heart, tell everything.
tere raaste, khwaab hain tere
tere saath jo umr bhar chale
o inhein gale lagaa
tu kaun hai bataa
o.. khol de ye gireh..
your paths are your dreams,
which have been with you all your life.
embrace them.
tell them who you are.
open these ties.
tu koi aur hai
teri naa hadein
aasmaan hai.. khayaal hai..
bemisaal hai..
tu mauj hai, tu raunakein
chaahe jo tu, wo hai
you are someone else,
there are no limits for you,
you are sky, you are a thought,
you are matchless..
you are a wave, you are brightness,
you are what you wish.
Share:
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: A R Rahman, Alma Ferovic, Arjun Chandy
Music Label: T-Series
This is a gem from the album. Sung by none other than A R Rahman himself, the song inspires one to do what one wishes to do, rather than be what the world wishes them to be, telling them that they can do anything they wish to do.
tu koi aur hai
jaanta hai tu
saamne is jahaan ke
ik naqaab hai
tu aur hai, koi aur hai
kyun nahi wo, jo hai
you are someone else.
you know that.
in front of this world,
there is a mask,
(and) you are someone else, someone else.
why aren’t you what you are?
tu jahaan ke waaste khud ko bhool kar
apne hi saath naa aise zulm kar
khol de wo girahein
jo lagaaye tujhpe tu
bol de tu koi aur hai
chehre jo oDhe tune wo
tere kahaan hain..
for the world, don’t you forget yourself
and oppress yourself.
open those ties
in which you have tied yourself.
speak up, that you are someone else.
the faces that you wear,
they are not yours..
saamne aa, khol de sab
jo hai dil mein bol de ab
saamne aa, khol de sab
jo hai dil mein bol de ab
come out, open up everything.
whatever is in your heart, tell everything.
tere raaste, khwaab hain tere
tere saath jo umr bhar chale
o inhein gale lagaa
tu kaun hai bataa
o.. khol de ye gireh..
your paths are your dreams,
which have been with you all your life.
embrace them.
tell them who you are.
open these ties.
tu koi aur hai
teri naa hadein
aasmaan hai.. khayaal hai..
bemisaal hai..
tu mauj hai, tu raunakein
chaahe jo tu, wo hai
you are someone else,
there are no limits for you,
you are sky, you are a thought,
you are matchless..
you are a wave, you are brightness,
you are what you wish.
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Heer to Badi Sad Hai Lyrics Translation | Tamasha
Movie: Tamasha
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Mika, with Nakash Aziz
Music Label: T-Series
A totally fun song from a probably-never-before combination of Rahman and Mika, with Nakash Aziz doing some oye hoyes and aaye haayes. Btw, some of Mika's words are at times a little unclear in this one, so if you find anything wrong, please let us know. Thanks.
Heer to baDi sad, haye oye
aajkal very mad, haay ji
Heer is very sad,
these days she is very mad.
na khaati peeti, haaye oye
rona dhona mushkil, haaye ji
pyaar ki lau mein itni jal gayi
loo mein jaana mushkil hai
loo mein jaana mushkil hai
she doesn’t eat or drink,
and it’s difficult to cry for her..
she’s so burnt in the flame of love,
it’s tough to go to the loo even.
Heer ki haalat
kasam rab ki, kasam rab ki
kasam rab ki..
aajkal very bad hai ji
Heer to baDi sad hai ji
aajkal very mad hai ji
Heer to baDi sad hai ji
Heer’s situation is,
I swear to God,
I swear to God,
very bad these days..
Heer is very sad,
these days she’s very mad,
Heer is very sad..
ho.. ishq hai maachis
dil hai diesel
dono changey dooram door
kaanTe baanTe aag aag ko
sapne kar ke chooram choor ..
haay baji paDi band Heer ki
ab is band pe naache kaun
hui bolti band band si
kai dino se hai wo maun
log kahein ki sanki ho gayi
love is like a match box
and heart is diesel,
both are good when they are away from each other..
their fires cut and foil each other
and shatter the dreams..
Heer’s band is played,
now who will dance to this band’s tune,
she doesn’t seem to speak,
is silent for many days,
people say that she has gone eccentric.
haay ya wo utter mad hai aaye
Heer to baDi sad hai
Heer to baDi sad hai
aajkal very bad hai ji..
she’s utterly mad.
Heer is very sad.
Heer is very sad.
these days she’s very bad.
ho.. mann mridang baaje beDhang
uDaa hai rang bechare ka
look muk* upar pressure cooker
hua dimaag kunware ka ..
haay tel lagaane nayi zindagi
so so ke din kaaTe wo
waqt ke munh pe gussa karke
maarti rehti chaanTe wo
fiqr mein ab to uska dad hai
The percussion of the heart plays randomly,
the color is gone from the poor one’s face.
look up*, the brain of the unmarried one
has become like a pressure cooker..
life is gone to the dogs,
she sleeps and passes days,
she gets angry with the time
and keeps slapping it in the face.
now her dad is worried..
haay mom bhi baDi sad hai
Heer to very mad hai
aaj kal very bad hai oye
she is to, not glad hai
her mom is very sad too..
Heer is very mad,
these days she’s very bad..
she’s not glad.
na khaati peeti
rona dhona mushkil
pyar ki lau mein itni jal gayi..
lau bachaana mushkil hai
lau bachaana mushkil hai
Heer ki haalat
kasam rab ki
kasam rab ki
kasam rab ki..
aajkal very bad hai ji oye
Heer to baDi sad hai ji
aaj kal very mad hai oye
Heer to baDi sad hai ji
Share:
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Mika, with Nakash Aziz
Music Label: T-Series
A totally fun song from a probably-never-before combination of Rahman and Mika, with Nakash Aziz doing some oye hoyes and aaye haayes. Btw, some of Mika's words are at times a little unclear in this one, so if you find anything wrong, please let us know. Thanks.
Heer to baDi sad, haye oye
aajkal very mad, haay ji
Heer is very sad,
these days she is very mad.
na khaati peeti, haaye oye
rona dhona mushkil, haaye ji
pyaar ki lau mein itni jal gayi
loo mein jaana mushkil hai
loo mein jaana mushkil hai
she doesn’t eat or drink,
and it’s difficult to cry for her..
she’s so burnt in the flame of love,
it’s tough to go to the loo even.
Heer ki haalat
kasam rab ki, kasam rab ki
kasam rab ki..
aajkal very bad hai ji
Heer to baDi sad hai ji
aajkal very mad hai ji
Heer to baDi sad hai ji
Heer’s situation is,
I swear to God,
I swear to God,
very bad these days..
Heer is very sad,
these days she’s very mad,
Heer is very sad..
ho.. ishq hai maachis
dil hai diesel
dono changey dooram door
kaanTe baanTe aag aag ko
sapne kar ke chooram choor ..
haay baji paDi band Heer ki
ab is band pe naache kaun
hui bolti band band si
kai dino se hai wo maun
log kahein ki sanki ho gayi
love is like a match box
and heart is diesel,
both are good when they are away from each other..
their fires cut and foil each other
and shatter the dreams..
Heer’s band is played,
now who will dance to this band’s tune,
she doesn’t seem to speak,
is silent for many days,
people say that she has gone eccentric.
haay ya wo utter mad hai aaye
Heer to baDi sad hai
Heer to baDi sad hai
aajkal very bad hai ji..
she’s utterly mad.
Heer is very sad.
Heer is very sad.
these days she’s very bad.
ho.. mann mridang baaje beDhang
uDaa hai rang bechare ka
look muk* upar pressure cooker
hua dimaag kunware ka ..
haay tel lagaane nayi zindagi
so so ke din kaaTe wo
waqt ke munh pe gussa karke
maarti rehti chaanTe wo
fiqr mein ab to uska dad hai
The percussion of the heart plays randomly,
the color is gone from the poor one’s face.
look up*, the brain of the unmarried one
has become like a pressure cooker..
life is gone to the dogs,
she sleeps and passes days,
she gets angry with the time
and keeps slapping it in the face.
now her dad is worried..
haay mom bhi baDi sad hai
Heer to very mad hai
aaj kal very bad hai oye
she is to, not glad hai
her mom is very sad too..
Heer is very mad,
these days she’s very bad..
she’s not glad.
na khaati peeti
rona dhona mushkil
pyar ki lau mein itni jal gayi..
lau bachaana mushkil hai
lau bachaana mushkil hai
Heer ki haalat
kasam rab ki
kasam rab ki
kasam rab ki..
aajkal very bad hai ji oye
Heer to baDi sad hai ji
aaj kal very mad hai oye
Heer to baDi sad hai ji
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Safarnama Lyrics Translation | Tamasha (Lucky Ali)
Movie: Tamasha
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Lucky Ali
Music Label: T-Series
Ho.. safarnaama..
sawaalon ka safarnaama
shuru tumse, khatam tumpe
safarnaama
O, this travelogue,
travel narrative of questions,
begins from you, ends at you,
this travelogue..
wo jise DhoonDha zamaane mein
mujhi mein tha
wo mere saare jawaabon ka
safarnaama..
meri ore se uTha teri ore ko kadam pehla
milenge hum..
that, for which I searched through the world,
that was in me only..
that, the travel narrative of
all my answers..
from my side, the first step is taken towards you,
we shall meet..
safarnaama..
safarnaama..
khayaalon ka, safarnaama..
andhere mein ujaalon ka
safarnaama..
ho, samay aisa
purana bhi, naya bhi hai
ho, mohabbat ki
misaalon ka, safarnaama..
travelogue
of thoughts,
travelogue,
of lights in darkness.
time such that is old,
and new too.
a travelogue
of the examples of love..
meri ore se uTha teri ore ko kadam pehla
milenge hum..
pehla milenge hum..
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Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Lucky Ali
Music Label: T-Series
Ho.. safarnaama..
sawaalon ka safarnaama
shuru tumse, khatam tumpe
safarnaama
O, this travelogue,
travel narrative of questions,
begins from you, ends at you,
this travelogue..
wo jise DhoonDha zamaane mein
mujhi mein tha
wo mere saare jawaabon ka
safarnaama..
meri ore se uTha teri ore ko kadam pehla
milenge hum..
that, for which I searched through the world,
that was in me only..
that, the travel narrative of
all my answers..
from my side, the first step is taken towards you,
we shall meet..
safarnaama..
safarnaama..
khayaalon ka, safarnaama..
andhere mein ujaalon ka
safarnaama..
ho, samay aisa
purana bhi, naya bhi hai
ho, mohabbat ki
misaalon ka, safarnaama..
travelogue
of thoughts,
travelogue,
of lights in darkness.
time such that is old,
and new too.
a travelogue
of the examples of love..
meri ore se uTha teri ore ko kadam pehla
milenge hum..
pehla milenge hum..
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Agar Tum Saath Ho Lyrics Translation | Tamasha
Movie: Tamasha
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Alka Yagnik, Arijit Singh
Music Label: T-Series
In this song, the title line is a scenario, and what both the hero and the heroine of the story think about the scenario is what their words are. The girl tells how happy she'd be if they are together, while the guy says it wouldn't matter because the life is merciless always and would remain so even if they are together.
pal bhar Theher jaao
dil ye sambhal jaaye
kaise tumhe roka karoon
meri taraf aata
har gham phisal jaaye
aankhon mein tumko bharoon,
bin bole baatein tumse karoon,
gar tum saath ho,
agar tum saath ho..
stop for a moment,
let this heart get stable
how should I stop you..
every sorrow coming towards me
would slip away..
I’ll fill you in my eyes
I’ll talk to you without speaking,
if you are with me
if you are with me..
behti rehti neher nadiyaan si teri duniya mein
meri duniya hai teri chaahaton mein
main Dhal jaati hoon teri aadaton mein
gar tum saath ho..
in your world, canals and rivers seem to be flowing
my world is in your love
I mould according to your habits
if you are with me..
teri nazron mein hai tere sapne,
tere sapnon mein hai naraazi,
mujhe lagta hai ki baatein dil ki
hoti lafzon ki dhokhebaazi
tum saath ho ya na ho
kya fark hai
bedard thi zindagi bedard hai
your dreams are there in your eyes,
and because of your dreams there is anger (in you)..
I feel the talks of heart
are all deception..
whether you are there with me or not,
what is the difference,
the life was merciless, and is merciless.
agar tum saath ho
agar tum saath ho..
if you are with me
if you are with me..
palken jhapakte hi
din ye nikal jaaye
baiThi baiThi bhaagi phiroon
meri taraf aata
har gham phisal jaaye
aankhon mein tumko bharoon,
bin bole baatein tumse karoon,
gar tum saath ho,
agar tum saath ho..
as soon as the I blink,
the day comes out.
I keep running around while sitting only..
every sorrow coming towards me
would slip away..
I’ll fill you in my eyes
I’ll talk to you without speaking,
if you are with me
if you are with me..
teri nazron mein hai tere sapne,
tere sapnon mein hai naaraazi,
mujhe lagta hai ki baatein dil ki
hoti lafzon ki dhokhebaazi
tum saath ho ya na ho
kya fark hai
bedard thi zindagi bedard hai
agar tum saath ho
dil ye sambhal jaaye
agar tum saath ho..
har gham phisal jaaye
agar tum saath ho..
din ye nikal jaaye.
agar tum saath ho..
har gham phisal jaaye
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Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Alka Yagnik, Arijit Singh
Music Label: T-Series
In this song, the title line is a scenario, and what both the hero and the heroine of the story think about the scenario is what their words are. The girl tells how happy she'd be if they are together, while the guy says it wouldn't matter because the life is merciless always and would remain so even if they are together.
pal bhar Theher jaao
dil ye sambhal jaaye
kaise tumhe roka karoon
meri taraf aata
har gham phisal jaaye
aankhon mein tumko bharoon,
bin bole baatein tumse karoon,
gar tum saath ho,
agar tum saath ho..
stop for a moment,
let this heart get stable
how should I stop you..
every sorrow coming towards me
would slip away..
I’ll fill you in my eyes
I’ll talk to you without speaking,
if you are with me
if you are with me..
behti rehti neher nadiyaan si teri duniya mein
meri duniya hai teri chaahaton mein
main Dhal jaati hoon teri aadaton mein
gar tum saath ho..
in your world, canals and rivers seem to be flowing
my world is in your love
I mould according to your habits
if you are with me..
teri nazron mein hai tere sapne,
tere sapnon mein hai naraazi,
mujhe lagta hai ki baatein dil ki
hoti lafzon ki dhokhebaazi
tum saath ho ya na ho
kya fark hai
bedard thi zindagi bedard hai
your dreams are there in your eyes,
and because of your dreams there is anger (in you)..
I feel the talks of heart
are all deception..
whether you are there with me or not,
what is the difference,
the life was merciless, and is merciless.
agar tum saath ho
agar tum saath ho..
if you are with me
if you are with me..
palken jhapakte hi
din ye nikal jaaye
baiThi baiThi bhaagi phiroon
meri taraf aata
har gham phisal jaaye
aankhon mein tumko bharoon,
bin bole baatein tumse karoon,
gar tum saath ho,
agar tum saath ho..
as soon as the I blink,
the day comes out.
I keep running around while sitting only..
every sorrow coming towards me
would slip away..
I’ll fill you in my eyes
I’ll talk to you without speaking,
if you are with me
if you are with me..
teri nazron mein hai tere sapne,
tere sapnon mein hai naaraazi,
mujhe lagta hai ki baatein dil ki
hoti lafzon ki dhokhebaazi
tum saath ho ya na ho
kya fark hai
bedard thi zindagi bedard hai
agar tum saath ho
dil ye sambhal jaaye
agar tum saath ho..
har gham phisal jaaye
agar tum saath ho..
din ye nikal jaaye.
agar tum saath ho..
har gham phisal jaaye
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शुक्रवार, 9 अक्टूबर 2015
Matargashti Lyrics Translation | Tamasha
Movie: Tamasha
Music: A.R. Rahman
Lyrics: Irshad Kamil
Singer: Mohit Chauhan
Music Label: T-Series
Imtiaz Ali, ARR, Irshad Kamil and Mohit Chauhan once again come up with something wonderful. The first song from Tamasha is not just worth listening to, it's worth a watch too. Ranbeer Kapoor not-so-loudly copies Dev Anand, talks about a few of RK's movies, and has some fun that you would enjoy too. So here is a video as well. Hope you love it.
maTargashti khuli saDak mein
takDi taDak bhaDak mein
ole gire sulagte se
sulagte se saDak mein
chhatri na thi bagal mein
aaya hi na akal mein
ke bhaagein hum ya bheegein hum akaD mein
to socha phir
geela hua hai jo sukhana ho ho ho,
chaahe janaana ya mardaana ho ho ho
attention.
phainka naya paasa
phir de gayi jhaansa
ainveyi mujhe phaansa
teri aisi ki ho taisi zindagi..
phainka naya paasa
phir de gayi jhaansa
ainveyi mujhe phaansa
chirkut zindagi you know!
fun on the open road,
in solid show off,
burning hailstones rained,
burning hailstones on the road..
I had no umbrella with me,
I wasn’t getting
whether to run, or get drenched, in my airs.
then I thought,
I’ll have to dry what has become wet.
whether it’s for ladies or gents.
attention.
(it) threw a new dice (i.e. tried a new trick)
bluffed me again,
entrapped me for nothing,
you go to hell, O life!
it tried a new trick
bluffed me again,
entrapped me for nothing,
this tattered life, you know!
tu hi hai wo
jis se khela tha main kho-kho khela kho kho
tu hai laila, shirin, sohni, juliet
sun lo mujh ko DhoonDho na jungle mele mein
whatsapp pe hoon ha ha ha ha ha ha..
you are that,
with whom I used to play kho kho,
you are Laila, Shirin, Sohni, Juliet,
listen, don’t look for me in the jungle or fair,
I am on Whatsapp..
na tera na mera zamaana ho ho ho..
na ye zanaana, na mardana ho ho ho ho..
pakad paana
the world is neither your nor mine,
it’s neither feminine, nor masculine,
to catch it..
tu hi hai wo
jisne khainchi meri dhoti dhoti khainchi
o tu DhoonDhe kahaan banday
na main kaaba, kaashi
main TwiTTer pe hoon
DP meri dekho
hoo hoo hoo hoo hoo hoo
You are that
who pulled my loincloth,
o, where do you search, O believer,
I am neither kaaba, nor kaashi,
I am on Twitter,
See my DP,
O O O..
(Kaaba and Kaashi are both holy places of Muslims and Hindus respectively)
sun re sun beliya
dil ne dhokha diya
aankhen mileen tumse naazneen
mere hosh-o-havaas kho gaye
ho dil ka bhanvar bole sun saathiya
chhup na dupaTTe mein tu o chhaliya
Prem pujaari ke,
dil ka bayaan hota raha
rota raha priye
to phir Deng Deng Deng Deng Deng…
listen O beloved,
the heart has ditched me,
my eyes met yours, O tender one,
I lost my senses,
the whirlpool in the heart says, listen O companion,
don’t hide in your scarf, O trickster,
O, the heart of love's worshipper
kept saying,
it kept crying, O beloved.
so, Deng Deng Deng Deng Deng…
[In this part there are a lot of old films mentioned. Dil ka bhanvar kare pukaar is a famous Dev Anand song from Tere Ghar ke Saamne. Chhaliya was a Raj Kapoor film, and Prem Pujari was Dev Anand again. Ranbir is copying Dev Sahab's style here in the song.]
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Music: A.R. Rahman
Lyrics: Irshad Kamil
Singer: Mohit Chauhan
Music Label: T-Series
Imtiaz Ali, ARR, Irshad Kamil and Mohit Chauhan once again come up with something wonderful. The first song from Tamasha is not just worth listening to, it's worth a watch too. Ranbeer Kapoor not-so-loudly copies Dev Anand, talks about a few of RK's movies, and has some fun that you would enjoy too. So here is a video as well. Hope you love it.
maTargashti khuli saDak mein
takDi taDak bhaDak mein
ole gire sulagte se
sulagte se saDak mein
chhatri na thi bagal mein
aaya hi na akal mein
ke bhaagein hum ya bheegein hum akaD mein
to socha phir
geela hua hai jo sukhana ho ho ho,
chaahe janaana ya mardaana ho ho ho
attention.
phainka naya paasa
phir de gayi jhaansa
ainveyi mujhe phaansa
teri aisi ki ho taisi zindagi..
phainka naya paasa
phir de gayi jhaansa
ainveyi mujhe phaansa
chirkut zindagi you know!
fun on the open road,
in solid show off,
burning hailstones rained,
burning hailstones on the road..
I had no umbrella with me,
I wasn’t getting
whether to run, or get drenched, in my airs.
then I thought,
I’ll have to dry what has become wet.
whether it’s for ladies or gents.
attention.
(it) threw a new dice (i.e. tried a new trick)
bluffed me again,
entrapped me for nothing,
you go to hell, O life!
it tried a new trick
bluffed me again,
entrapped me for nothing,
this tattered life, you know!
tu hi hai wo
jis se khela tha main kho-kho khela kho kho
tu hai laila, shirin, sohni, juliet
sun lo mujh ko DhoonDho na jungle mele mein
whatsapp pe hoon ha ha ha ha ha ha..
you are that,
with whom I used to play kho kho,
you are Laila, Shirin, Sohni, Juliet,
listen, don’t look for me in the jungle or fair,
I am on Whatsapp..
na tera na mera zamaana ho ho ho..
na ye zanaana, na mardana ho ho ho ho..
pakad paana
the world is neither your nor mine,
it’s neither feminine, nor masculine,
to catch it..
tu hi hai wo
jisne khainchi meri dhoti dhoti khainchi
o tu DhoonDhe kahaan banday
na main kaaba, kaashi
main TwiTTer pe hoon
DP meri dekho
hoo hoo hoo hoo hoo hoo
You are that
who pulled my loincloth,
o, where do you search, O believer,
I am neither kaaba, nor kaashi,
I am on Twitter,
See my DP,
O O O..
(Kaaba and Kaashi are both holy places of Muslims and Hindus respectively)
sun re sun beliya
dil ne dhokha diya
aankhen mileen tumse naazneen
mere hosh-o-havaas kho gaye
ho dil ka bhanvar bole sun saathiya
chhup na dupaTTe mein tu o chhaliya
Prem pujaari ke,
dil ka bayaan hota raha
rota raha priye
to phir Deng Deng Deng Deng Deng…
listen O beloved,
the heart has ditched me,
my eyes met yours, O tender one,
I lost my senses,
the whirlpool in the heart says, listen O companion,
don’t hide in your scarf, O trickster,
O, the heart of love's worshipper
kept saying,
it kept crying, O beloved.
so, Deng Deng Deng Deng Deng…
[In this part there are a lot of old films mentioned. Dil ka bhanvar kare pukaar is a famous Dev Anand song from Tere Ghar ke Saamne. Chhaliya was a Raj Kapoor film, and Prem Pujari was Dev Anand again. Ranbir is copying Dev Sahab's style here in the song.]
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मंगलवार, 7 अप्रैल 2015
Ok bangaram (2015) Lyrics and Translations
Movie: Ok bangaram (2015) / Ok kanmani
Music: A.R.Rahman
Lyrics: Sirivennela seetha rama sastry
Director: Mani ratnam
Raara aatagaada Lyrics and translation
Aye amaayika lyrics and translation
Music: A.R.Rahman
Lyrics: Sirivennela seetha rama sastry
Director: Mani ratnam
Raara aatagaada Lyrics and translation
Aye amaayika lyrics and translation
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Raara aatagada lyrics and translation | Ok bangaram (2015)
Movie: Ok bangaram
Music: A.R.Rahman
Lyrics: Sirivennela seetha rama sastry
Director: Mani ratnam
Singers: Dinesh kanagaratnam, Darshina, Shasha Tirupati
Raaraa aatagaada veychi unnaara
Raaraa aatagaada veychi unnaara
veychi unnaara veychi unnaara
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama kiri kiri pette khillaadi ne hoy hoy
Tharamakura chindhara vandhara
Thondhara petti mundhuku netti
Vala vesi dhorakamanakura
Adhi maathram kudharadhu nama nama
Nama nama nama ninnaadisthu odinchestha hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama kiri kiri pette khilladi ne hoy hoy
Nilabadi atu itu choododdhu
Thega Dheemaaga thala yetthoddhu
Naa satthaa yentho adagoddhu
Nee penki thanaminka thagginchuko
I make a game of own va va va anukuntu
Na venuke parigetthu kitukedho kanipettu
Nama nama ney etc were used only to fill the tune.
They don't convey anything
Come on, I'm waiting for you hard hitter/womanizer/playboy
Come on, I'm waiting for you playboy
I'm waiting, I'm waiting!
Hey, I'm a cunning ass(fellow)
Don't rush/haste me by chasing
Don't expect me to fall in your trap, that would never happen
I would easily win you
Hey, I'm a cunning ass(fellow)
Don't keep looking pointlessly
Don't raise your head with confidence
Don't ask me what I'm capable of
You better stop being impudent/arrogant
I make my own game
Come behind me and get to know the trick
Raaraa aatagaada | Repeat |
Thaka tharikita thaga thaga thak thak
Thadabaduthu gadabidaga
Yegabadithe padagodathaa
Thaka tharikita thaga thaga thak thak
Thadabaduthu gadabidaga
Yegabadithe padagodathaa
Puli ra!!
Play play I am a gamer
Mo mo mo mo more ride
Check in aithe check out ye kaavanthe!
Thaka tharikita etc were used only to fill the tune.
They don't convey anything
If you run into without confidence staggeringly, I would win over you
I'm a tigress!
Play play I am a gamer
Mo mo mo mo more ride
Once you checkin, you would never ever checkout
Raaraa aatagaada | Repeat |
* rap *
Naa peru kate katyayini
Meow!!
Raaraa atagaada vechi unnaara x ? times
Music: A.R.Rahman
Lyrics: Sirivennela seetha rama sastry
Director: Mani ratnam
Singers: Dinesh kanagaratnam, Darshina, Shasha Tirupati
Raaraa aatagaada veychi unnaara
Raaraa aatagaada veychi unnaara
veychi unnaara veychi unnaara
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama kiri kiri pette khillaadi ne hoy hoy
Tharamakura chindhara vandhara
Thondhara petti mundhuku netti
Vala vesi dhorakamanakura
Adhi maathram kudharadhu nama nama
Nama nama nama ninnaadisthu odinchestha hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama ney na na ney na na hoy hoy
Nama nama nama kiri kiri pette khilladi ne hoy hoy
Nilabadi atu itu choododdhu
Thega Dheemaaga thala yetthoddhu
Naa satthaa yentho adagoddhu
Nee penki thanaminka thagginchuko
I make a game of own va va va anukuntu
Na venuke parigetthu kitukedho kanipettu
Nama nama ney etc were used only to fill the tune.
They don't convey anything
Come on, I'm waiting for you hard hitter/womanizer/playboy
Come on, I'm waiting for you playboy
I'm waiting, I'm waiting!
Hey, I'm a cunning ass(fellow)
Don't rush/haste me by chasing
Don't expect me to fall in your trap, that would never happen
I would easily win you
Hey, I'm a cunning ass(fellow)
Don't keep looking pointlessly
Don't raise your head with confidence
Don't ask me what I'm capable of
You better stop being impudent/arrogant
I make my own game
Come behind me and get to know the trick
Raaraa aatagaada | Repeat |
Thaka tharikita thaga thaga thak thak
Thadabaduthu gadabidaga
Yegabadithe padagodathaa
Thaka tharikita thaga thaga thak thak
Thadabaduthu gadabidaga
Yegabadithe padagodathaa
Puli ra!!
Play play I am a gamer
Mo mo mo mo more ride
Check in aithe check out ye kaavanthe!
Thaka tharikita etc were used only to fill the tune.
They don't convey anything
If you run into without confidence staggeringly, I would win over you
I'm a tigress!
Play play I am a gamer
Mo mo mo mo more ride
Once you checkin, you would never ever checkout
Raaraa aatagaada | Repeat |
* rap *
Naa peru kate katyayini
Meow!!
Raaraa atagaada vechi unnaara x ? times
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Aye amayika lyrics and translation | Ok bangaram (2015)
Movie: Ok bangaram/ Ok kanmani
Music: A.R.Rahman
Lyrics: Sirivennela seetha rama sastry
Director: Mani ratnam
Singer(s): Karthik
Aye amaayika yenno anaaliga thittama Konchem theeya theeyaga x 2
Nee vente nenunte, ye vanko choosthaave? x 4
Nee vente nenunte
Nee vente nenoo unte
Nee vente nenunte, ye vanko choosthaave? x 2
Nee vente nenunte
Hey girl, lot more is to be said
Scold/Thrash me cutely and sweetly
When I'm behind you, why do you look somewhere else?
When I'm behind you
When I'm behind you
When I'm behind you, why do you look somewhere else?
When I'm behind you
Ni mounam kooda naa pere andhae
Vinnaane yenni saarlo thelisindha o chilaka!
Kasiresthoo unna, visiresthu unna
Raa rammani annattundhe muddhocche ni alaka
Naligipoye pedhavannadhe, yentha premo naa pai neeku
Aye amaayika yenno anaaliga thittama Konchem theeya theeyaga!
Nee vente nenunte, ye vanko choosthaave? x 2
Your silence has uttered my name
I've heard that many times
Do you get that sweetheart?
Though you shout at me, though you're rude to me when you're disappointed(it's cute), it's like you're inviting me to you
The crushed lip exclaimed on the love you've on me!
Hey girl, lot more is to be said
Scold me cutely and sweetly
Hey amaayika x 3 | Repeat |
Nee vente nenunte x 6 | Repeat|
Nee vente nenunte.......
Music: A.R.Rahman
Lyrics: Sirivennela seetha rama sastry
Director: Mani ratnam
Singer(s): Karthik
Aye amaayika yenno anaaliga thittama Konchem theeya theeyaga x 2
Nee vente nenunte, ye vanko choosthaave? x 4
Nee vente nenunte
Nee vente nenoo unte
Nee vente nenunte, ye vanko choosthaave? x 2
Nee vente nenunte
Hey girl, lot more is to be said
Scold/Thrash me cutely and sweetly
When I'm behind you, why do you look somewhere else?
When I'm behind you
When I'm behind you
When I'm behind you, why do you look somewhere else?
When I'm behind you
Ni mounam kooda naa pere andhae
Vinnaane yenni saarlo thelisindha o chilaka!
Kasiresthoo unna, visiresthu unna
Raa rammani annattundhe muddhocche ni alaka
Naligipoye pedhavannadhe, yentha premo naa pai neeku
Aye amaayika yenno anaaliga thittama Konchem theeya theeyaga!
Nee vente nenunte, ye vanko choosthaave? x 2
Your silence has uttered my name
I've heard that many times
Do you get that sweetheart?
Though you shout at me, though you're rude to me when you're disappointed(it's cute), it's like you're inviting me to you
The crushed lip exclaimed on the love you've on me!
Hey girl, lot more is to be said
Scold me cutely and sweetly
Hey amaayika x 3 | Repeat |
Nee vente nenunte x 6 | Repeat|
Nee vente nenunte.......
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रविवार, 13 अक्टूबर 2013
Choodham aakasam Lyrics | Translation | Vikram simha(2013)
Movie:Vikram Simha/Kochadaiiyaan.
Language:Telugu.
Music:A.R.Rahman
Singer(s):S.P.Balasubrahmanyam.
Chooddhaam aakasam antham
Veddhaam akkade paadham.
We shall the end of sky
And shall step there.
Malli putti mahime gelichi
Yellalu dhaatina yodha.
You took birth again and gained glory
You are an exceptional warrior.
Gaalula geethaale yennadu aagavule
Gelupanu dhappika yeppudu theeradhule.
Songs of wind would never stop
The thirst /craving for success will be there all the time.
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu
Aakasam addosthe yegire pakshaipodhaam
Maha shikarame addosthe dhaate meghaalavudhaam
Aranyam vasthe gaalai podhaam
Samudhram vasthe chepai podhaam.
Create one sun with edge of the sword
Bring happiness in your motherland
If at all sky comes in our way, we shall become a bird and fly over it
If at all a giant mountain comes in our way, we shall become a cloud and pass over it
In case of forest, we shall become Wind
In case of sea, we shall become a Fish.
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Lakshyam yennatiki dheekshaki bandhuvu ra
Vijayam yeppatiki chamatiki chuttamu ra..!!
Your heart is a diamond, oh brave warrior
Success comes behind you
Aim is always a relative of determination
And success, a relative of hardwork.
Choodhaaam || Repeat ||
Manasu dhanassu, maata baanam
Yeppudaina thappabodhu..!
Kodhama simhama gelichi poraadu poraadu.
Heart is a bow, word is an arrow
It would never miss( it's aim)
Oh lion, fight and win...!!
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Andhari dheevenatho aayuvu pondhaavle
Neeke naa brathuke ankitham isthaale.
Your heart is a diamond, oh brave warrior
Success comes behind you
You gained life with blessings of all
I will dedicate my life to you.
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu.
Chooddhaam || Repeat ||
Language:Telugu.
Music:A.R.Rahman
Singer(s):S.P.Balasubrahmanyam.
Chooddhaam aakasam antham
Veddhaam akkade paadham.
We shall the end of sky
And shall step there.
Malli putti mahime gelichi
Yellalu dhaatina yodha.
You took birth again and gained glory
You are an exceptional warrior.
Gaalula geethaale yennadu aagavule
Gelupanu dhappika yeppudu theeradhule.
Songs of wind would never stop
The thirst /craving for success will be there all the time.
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu
Aakasam addosthe yegire pakshaipodhaam
Maha shikarame addosthe dhaate meghaalavudhaam
Aranyam vasthe gaalai podhaam
Samudhram vasthe chepai podhaam.
Create one sun with edge of the sword
Bring happiness in your motherland
If at all sky comes in our way, we shall become a bird and fly over it
If at all a giant mountain comes in our way, we shall become a cloud and pass over it
In case of forest, we shall become Wind
In case of sea, we shall become a Fish.
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Lakshyam yennatiki dheekshaki bandhuvu ra
Vijayam yeppatiki chamatiki chuttamu ra..!!
Your heart is a diamond, oh brave warrior
Success comes behind you
Aim is always a relative of determination
And success, a relative of hardwork.
Choodhaaam || Repeat ||
Manasu dhanassu, maata baanam
Yeppudaina thappabodhu..!
Kodhama simhama gelichi poraadu poraadu.
Heart is a bow, word is an arrow
It would never miss( it's aim)
Oh lion, fight and win...!!
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Andhari dheevenatho aayuvu pondhaavle
Neeke naa brathuke ankitham isthaale.
Your heart is a diamond, oh brave warrior
Success comes behind you
You gained life with blessings of all
I will dedicate my life to you.
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu.
Chooddhaam || Repeat ||
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गुरुवार, 10 अक्टूबर 2013
Choodham aakasam Lyrics | Vikram simha(2013)
Movie:Vikram Simha/Kochadaiiyaan.
Language:Telugu.
Music:A.R.Rahman
Singer(s):S.P.Balasubrahmanyam.
Chooddhaam aakasam antham
Veddhaam akkade paadham
Malli putti mahime gelichi
Yellalu dhaatina yodha
Gaalula geethaale yennadu aagavule
Gelupanu dhappika yeppudu theeradhule
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu
Aakasam addosthe yegire pakshaipodhaam
Maha shikarame addosthe dhaate meghaalavudhaam
Aranyam vasthe gaalai podhaam
Samudhram vasthe chepai podhaam.
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Lakshyam yennatiki dheekshaki bandhuvu ra
Vijayam yeppatiki chamatiki chuttamu ra..!!
Choodhaaam || Repeat ||
Manasu dhanassu, maata baanam
Yeppudaina thappabodhu..!
Kodhama simhama gelichi poraadu poraadu.
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Andhari dheevenatho aayuvu pondhaavle
Neeke naa brathuke ankitham isthaale.
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu.
Chooddhaam || Repeat ||
Language:Telugu.
Music:A.R.Rahman
Singer(s):S.P.Balasubrahmanyam.
Chooddhaam aakasam antham
Veddhaam akkade paadham
Malli putti mahime gelichi
Yellalu dhaatina yodha
Gaalula geethaale yennadu aagavule
Gelupanu dhappika yeppudu theeradhule
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu
Aakasam addosthe yegire pakshaipodhaam
Maha shikarame addosthe dhaate meghaalavudhaam
Aranyam vasthe gaalai podhaam
Samudhram vasthe chepai podhaam.
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Lakshyam yennatiki dheekshaki bandhuvu ra
Vijayam yeppatiki chamatiki chuttamu ra..!!
Choodhaaam || Repeat ||
Manasu dhanassu, maata baanam
Yeppudaina thappabodhu..!
Kodhama simhama gelichi poraadu poraadu.
Veera nee gunde vajram vajram vajram
Vente paduthundhi vijayam vijayam
Andhari dheevenatho aayuvu pondhaavle
Neeke naa brathuke ankitham isthaale.
Katthi konatho oka sooryudine shrushtinchu
Maathru dhesam lo santhosham pandinchu.
Chooddhaam || Repeat ||
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सोमवार, 30 सितंबर 2013
गुलज़ार - एक इंटरव्यू [Gulzar - An Interview]
इन्सानी दिमाग भी अजीब चीज़ होती है। इन्सान कभी पहाड़ चाहता तो कभी समन्दर, कभी धूप चाहिए तो कभी छाँव। और कभी कभी धूप से छाँव में आकर भी चाहता है कि अब बारिश ही हो जाये। मुख़्तसर सी बात ये है कि हमारी इच्छाएं कभी ख़त्म नहीं होतीं। शायद यही वजह है कि जहाँ गुलज़ार साहब को मंच पर इंटरव्यू देखते वक़्त जहां हम बल्लियों उछल रहे थे, कुछ वक़्त गुजरने के बाद दिल में कुछ शिकायतें ठहर गयी थीं। अब वो कितनी जायज़ हैं और कितनी नहीं ये आप हिसाब कीजिये, लेकिन पहले गुलज़ार साहब के उस गीतमय इंटरव्यू की कुछ झलकियां आपके लिए।
इंटरव्यू की शुरुआत में एक चीज़ जिस की ओर भावना जी ने ध्यान दिलाया वो ये कि गुलज़ार साहब ने पिछले दशक में तकरीबन बत्तीस फिल्मों के लिए गीत लिखे जो उनके पिछले दशक के काम से भी कहीं ज़्यादा है। इस दशक में भी वो करीब सोलह फिल्मों के लिए गीत लिख चुके हैं।
खैर, आज के कार्यक्रम का ढांचा कुछ इस तरह से था कि कुछ गीत बजाये गए और गुलज़ार साहब ने ये बताया कि उस गीत का जन्म किस तरह से हुआ। कई जगहों पर गीत के बनने की कहानियाँ मिलीं तो कहीं कहीं गीतों से जुड़े लोग और यादें।
पहला गीत था गुलज़ार साहब का पहला गीत, मोरा गोरा अंग लई ले। इस गीत से जुड़ी कई सारी कहानियां थीं। पहली कहानी - गुलज़ार साहब को ये गीत कैसे मिला।
वो कवि थे। शायर, जो शायरी लिखना चाहते थे और साहित्य से ही जुड़े रहना चाहते थे। उनका इरादा ही नहीं था फिल्मों में जाने का, या यूं कहिये कि पक्का इरादा था फिल्मों में ना जाने का। लेकिन जब सचिन देव बर्मन जी ने शैलेन्द्र के साथ कुछ लड़ाई होने पर उनके साथ काम करने से मना कर दिया, तो देबू सेन ने गुलज़ार से सचिन दा के पास जाने को कहा। जब गुलज़ार ने मना किया तो शैलेन्द्र ने, जो उनसे बड़े थे, उन्हें डांट दिया। गुलज़ार के शब्दों में कुछ यूं कि, 'तुम क्या समझते हो, एक पढ़े लिखे तुम ही हो? बाकी इंडस्ट्री में कोई पढ़ा लिखा नहीं है क्या?'
दूसरी कहानी शायद और भी मज़ेदार थी। कहानी है बिमल रॉय और सचिन देव बर्मन की जहां बिमल, फिल्म के निर्देशक ये कहते हैं कि गाँव की कहानी में, वैद्य की बेटी घर से बाहर जा कर नहीं गा सकती, लेकिन सचिन दा कहते हैं कि घर में गाना घुट जाएगा। यहाँ तक कि हमने तो बाहर का म्यूज़िक भी बना लिया है, अब आप लड़की को बाहर भेजो। इस स्थिति में, संवाद लेखक महेंद्र पॉल बिमल दा से पूछते हैं कि दादा, बाप के सामने रात को घर में गाएगी तो क्या ठीक लगेगा?
अन्ततः क्या हुआ, आप गीत का विडियो ढूंढ कर देख सकते हैं।
एक कहानी जो आगे भावना जी ने बताई वो ये कि मोरा गोरा रंग लई ले, मोहे श्याम रंग दई दे का आइडिया बार बार छुपते चाँद से आया था।
इंटरव्यू के दौरान भी गुलज़ार कितने सजग रहते हैं, ये इस से पता चलता है कि उन्होंने पहली कहानी के बाद ही राकेश ओमप्रकाश मेहरा और उनकी पत्नी भारती को, जो सामने अन्य दर्शकों के साथ बैठ कर इंटरव्यू देख रहे थे, धूप से हटकर छाँव में जाने को कहा क्योंकि उन्हें यह देखना अच्छा नहीं लग रहा था।
अगला गीत था आनन्द का 'मैंने तेरे लिए ही।' यहाँ गुलज़ार साहब ने बताया कि राजेश खन्ना इस फिल्म को करने के लिए कितने उत्सुक थे, अमिताभ का अभिनय फिल्म में कितना वास्तविक प्रतीत होने वाला, और किस प्रकार किशोर कुमार, जो आनन्द बनने वाले थे, के बार बार फिल्म को आगे खिसकाने और फिर एक दिन सिर मुंडवा लेने पर ये फिल्म राजेश खन्ना को मिली।
तीसरे गीत, आंधी का तेरे बिना ज़िन्दगी से, से भी कुछ कहानियाँ जुड़ी थीं। गुलज़ार कहते हैं कि उनके सामने एक नेत्री के लिए इंदिरा गाँधी से बेहतर कोई प्रतिमान नहीं था, लेकिन उनकी कहानी का इससे कोई रिश्ता नहीं था।
लेकिन इस से ज़्यादा छूने वाली कहानी थी उनके अभिनेताओं की। संजीव कुमार जो बिना ग्लिसरीन के, केवल अपने हाथ को आँखों पर रख कर आंसू ला सकते थे, और सुचित्रा सेन, जिनकी आँखें हर बार 'तुम जो कह दो तो आज की रात चाँद डूबेगा नहीं' सुन लेने ही से भर आती थीं।
जब ये याद आ जाता है तो जी भर आता है, उनका कहना था।
इसके बाद आया 'घर' से 'तेरे बिना जिया जाए ना', जिस के साथ रेखा जी की कहानी जुड़ी थी।
घर के निर्माता एन एन सिप्पी, और निर्देशक मानिक चटर्जी, जो उस समय अचानक अस्पताल में थे, के कहने पर गुलज़ार उनके लिए एक सेट पर निर्देशन करने गए थे। तब तक गुलज़ार ने रेखा के साथ कभी काम नहीं किया था लेकिन राखी जी के कारण रेखा उन्हें न सिर्फ जानती थीं बल्कि उनके पैर भी छूती थीं। फिर भी, पहले दिन जब रेखा सुबह की जगह दोपहर में सेट पर पहुँचीं, तो गुलज़ार ने उनसे कारण पूछा। कुछ झिझकने के बाद उन्होंने बताया कि उन्होंने गुलज़ार की फिल्म आंधी अब तक नहीं देखी थी और उन्हें लगा कि यदि उसके बारे में कोई बात हुई तो यह अच्छा नहीं लगेगा, और इसीलिए अभी वो आंधी देखने गयीं थीं।
अगला गीत था मासूम का लकड़ी की काठी। पहली कहानी शबाना आज़मी की जिन्होंने शेखर कपूर से कहा कि बच्चों का गाना गुलज़ार साहब को लिखना चाहिए। और दूसरी शेखर कपूर की जिन्होंने महसूस किया कि वो कुछ चुटकुले जोड़ कर खुद ही गीत बना सकते हैं। गुलज़ार ने पहले तो उन्हें कहा कि इस तरह नहीं हो पायेगा, लेकिन जब शेखर नहीं मानते दिखे तो गुलज़ार ने उन्हें पंचम के साथ काम शुरू करने को कहा। अगले दिन शेखर ने आकर गुलज़ार साहब को बताया कि शबाना जी ने उन्हें डांटा कि आप गुलज़ार साहब को उनका काम करने दें, बच्चों के लिए गाना लिखने वाले आप कौन होते हैं।
इसके बाद वो गीत जिस पर कार्यक्रम का नाम रखा गया था, मेरा कुछ सामान तुम्हारे पास पड़ा है।
आगे सीधे गुलज़ार के शब्दों में।
पंचम बैठे हुए थे, म्यूज़िक रूम में, और मैंने ये सुनाया पढ़ के। कहने लगा बहुत अच्छा सीन है यार। मैंने कहा सीन नहीं है गाना है। तो हारमोनियम के ऊपर वो चोपड़ियाँ, चोपड़ी कहता था वो, कापियां, पड़ी रहती थीं। ... और यूं धत कर के [हाथ के इशारे से] धकेल दी। धत, ये गाना है इतना लम्बा, कोई मीटर वीटर तुझे आता-वाता तो है नहीं। कल तू टाइम्स ऑफ़ इन्डिया ले के आयेगा और कहेगा इसकी भी धुन बना दो। ... पीछे बैठी हुई आशा जी ने इसी तरह, कुछ नहीं, बात क्या कर रहा था झाड़ रहा था मुझे, कि तुम कुछ सीखो इतने साल हो गए इंडस्ट्री में, आशा जी ने फ्रेज़ कोई गुनगुनाया तो नोट्स बड़े अच्छे लगे। तो उसने पूछा, बॉप, क्या गाया? कहने लगीं नहीं वो मुझे लौटा दो का फ्रेज़ इस तरह से बड़े अच्छे लगे।
और बस, कुछ ऐसी ही कहानी थी जिसका कुल जमा ये था कि वो पूरा गाना उन्होंने एक ही सिटिंग में पूरा बना दिया।
इसके बाद आया दिल हूम हूम करे, भूपेन हज़ारिका जी का संगीतबद्ध किया हुआ। इस गीत के विषय में एक बात जो गुलज़ार जी ने अपनी निजी राय कहकर बतायी, वो ये कि हालांकि ये गाना लता जी ने भी गाया है, उन्हें ये गीत भूपेन दा की आवाज़ में ज़्यादा पसन्द है।
अगला गीत था दिल से का शीर्षक गीत, दिल से रे।
यहाँ गुलज़ार साहब ने ए आर रहमान और मणिरत्नम के बारे में बात की। पहले मणिरत्नम के बारे में, ये कि मणि सर [गुलज़ार साहब को मणि कहना अधूरा लगता है] ने कहा कि आप मुझे abstract images दीजिये गाने में, जो उनसे पहले कभी किसी निर्देशक ने नहीं कहा था।
लेकिन गुलज़ार के अनुसार रहमान का एक बहुत बड़ा योगदान जो संगीत में, खासकर फिल्म संगीत में, है, वो ये है कि हमारे यहाँ मुखड़े और अंतरे की जो एक व्यवस्था हमेशा से चली आ रही है, जिस में दो लाइन का मुखड़ा, दो लाइन का अन्तरा और एक लिंकिंग लाइन या क्रॉस लाइन होती है, रहमान ने उसे तोड़ दिया है। वो शास्त्रीय संगीत की ही तरह गीत का विस्तार कर देते हैं और स्थायी यानि मुखड़े को कहीं भी वापस ले आते हैं, जिसने गीत को blank verse के, नज़्म के पास ला दिया है।
इसके बाद बहुत जल्दी से चुपके से लग जा गले की बात हुई, और फिर हम आये कजरारे पर।
गुलज़ार के अनुसार गीत के हिट होने में ऐश्वर्या राय का बहुत बड़ा हाथ है। लेकिन अगली बात थी जिस पर लोगों की तालियाँ काफी देर तक नहीं रुकीं। तो फिर एक बार गुलज़ार साहब के शब्दों में।
शंकर एहसान लॉय, एक तो ये टीम कमाल की है, इन में शंकर महादेवन जो एक शख़्स है, वो करवट ले तो मेलोडी निकलती है.. वो आदमी इस कदर मेलोडी से भरा हुआ मटका है कि आप किसी तरफ से उड़ेल लीजिये...
और आगे उनकी आवाज़ तालियों में कुछ दब गयी है।
गाना लिखा जाना था ढाबे के हिसाब से जहां ट्रक आते और इसीलिए गीत कुछ इसी तरह से था जैसे ट्रक के पीछे के शेर, जैसे कि 'बर्बाद हो रहे हैं जी तेरे अपने शहर वाले।'
अगला गीत था झूम बराबर झूम का शीर्षक गीत जो फिर से शंकर महादेवन ने गाया था। अब कार्यक्रम समापन की ओर था और हालांकि हम बेहद खुश थे, दिल में कहीं एक छोटा सा सवाल आ रहा था कि क्या ये गीत गुलज़ार के सर्वश्रेष्ठ में था।
खैर, भावना जी ने कहा कि अगला गीत अन्तिम था और ये लगभग निश्चित था कि ये जब तक है जान का होगा, लेकिन हम आशा कर रहे थे कि गीत शायद 'हीर' होगा, लेकिन वो था जिया जिया रे। गुलज़ार साहब का यही कहना था कि एक हसरत रह गयी कि यश जी इस फिल्म को चलते हुए देख नहीं पाए, और एक ये कि 'जाते जाते मुझे एक तोहफा दे गए यश जी, कि एक बार ज़िन्दगी में उनके साथ काम कर लिया, वरना मैं अधूरा रह जाता कहीं न कहीं।'
ये एक ऐसा इंटरव्यू था और एक ऐसा दिन था जो हो सकता है कि जीवन में एक ही बार आये, और इसलिए मेरी ख़ुशी का ठिकाना नहीं था। लेकिन फिर भी एक सवाल था जो आया और फिर गया नहीं।
सवाल ये था कि इतने गीतों की फेहरिस्त में वो कहां गया।
वो, जो पिछले कई सालों से गुलज़ार साहब के पीछे रहा, जिसकी हर फिल्म में गुलज़ार के शब्द थे, और जो खुद, पंचम के जाने के बाद गुलज़ार की आखिरी दो फिल्मों का संगीतकार रहा। वो जिसने इस दशक की गुलज़ार की सोलह फिल्मों में से पांच का संगीत दिया है और जिस को कभी कभी गुलज़ार मंच से भी 'मुझको जवान रखने के लिए' शुक्रिया कहते रहे हैं।
मुझे लगता नहीं कि गुलज़ार साहब की फिल्मों पर ध्यान देने वाला कोई व्यक्ति उस नाम को 'मिस' कर सकता है, और इसीलिए लगता है कि ये शायद किसी की नाराज़गी ही थी जिसने उसे इस कार्यक्रम से दूर रखा।
अब इस सवाल का जो भी जवाब हो, सवाल इतना बड़ा है कि शायद थोड़ा सा चुभता तो रहेगा। अभी तो चप्पा चप्पा पूछ रहा है कि क्यों छोड़ आये हम...
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इंटरव्यू की शुरुआत में एक चीज़ जिस की ओर भावना जी ने ध्यान दिलाया वो ये कि गुलज़ार साहब ने पिछले दशक में तकरीबन बत्तीस फिल्मों के लिए गीत लिखे जो उनके पिछले दशक के काम से भी कहीं ज़्यादा है। इस दशक में भी वो करीब सोलह फिल्मों के लिए गीत लिख चुके हैं।
खैर, आज के कार्यक्रम का ढांचा कुछ इस तरह से था कि कुछ गीत बजाये गए और गुलज़ार साहब ने ये बताया कि उस गीत का जन्म किस तरह से हुआ। कई जगहों पर गीत के बनने की कहानियाँ मिलीं तो कहीं कहीं गीतों से जुड़े लोग और यादें।
पहला गीत था गुलज़ार साहब का पहला गीत, मोरा गोरा अंग लई ले। इस गीत से जुड़ी कई सारी कहानियां थीं। पहली कहानी - गुलज़ार साहब को ये गीत कैसे मिला।
वो कवि थे। शायर, जो शायरी लिखना चाहते थे और साहित्य से ही जुड़े रहना चाहते थे। उनका इरादा ही नहीं था फिल्मों में जाने का, या यूं कहिये कि पक्का इरादा था फिल्मों में ना जाने का। लेकिन जब सचिन देव बर्मन जी ने शैलेन्द्र के साथ कुछ लड़ाई होने पर उनके साथ काम करने से मना कर दिया, तो देबू सेन ने गुलज़ार से सचिन दा के पास जाने को कहा। जब गुलज़ार ने मना किया तो शैलेन्द्र ने, जो उनसे बड़े थे, उन्हें डांट दिया। गुलज़ार के शब्दों में कुछ यूं कि, 'तुम क्या समझते हो, एक पढ़े लिखे तुम ही हो? बाकी इंडस्ट्री में कोई पढ़ा लिखा नहीं है क्या?'
अन्ततः क्या हुआ, आप गीत का विडियो ढूंढ कर देख सकते हैं।
एक कहानी जो आगे भावना जी ने बताई वो ये कि मोरा गोरा रंग लई ले, मोहे श्याम रंग दई दे का आइडिया बार बार छुपते चाँद से आया था।
इंटरव्यू के दौरान भी गुलज़ार कितने सजग रहते हैं, ये इस से पता चलता है कि उन्होंने पहली कहानी के बाद ही राकेश ओमप्रकाश मेहरा और उनकी पत्नी भारती को, जो सामने अन्य दर्शकों के साथ बैठ कर इंटरव्यू देख रहे थे, धूप से हटकर छाँव में जाने को कहा क्योंकि उन्हें यह देखना अच्छा नहीं लग रहा था।
अगला गीत था आनन्द का 'मैंने तेरे लिए ही।' यहाँ गुलज़ार साहब ने बताया कि राजेश खन्ना इस फिल्म को करने के लिए कितने उत्सुक थे, अमिताभ का अभिनय फिल्म में कितना वास्तविक प्रतीत होने वाला, और किस प्रकार किशोर कुमार, जो आनन्द बनने वाले थे, के बार बार फिल्म को आगे खिसकाने और फिर एक दिन सिर मुंडवा लेने पर ये फिल्म राजेश खन्ना को मिली।
तीसरे गीत, आंधी का तेरे बिना ज़िन्दगी से, से भी कुछ कहानियाँ जुड़ी थीं। गुलज़ार कहते हैं कि उनके सामने एक नेत्री के लिए इंदिरा गाँधी से बेहतर कोई प्रतिमान नहीं था, लेकिन उनकी कहानी का इससे कोई रिश्ता नहीं था।
लेकिन इस से ज़्यादा छूने वाली कहानी थी उनके अभिनेताओं की। संजीव कुमार जो बिना ग्लिसरीन के, केवल अपने हाथ को आँखों पर रख कर आंसू ला सकते थे, और सुचित्रा सेन, जिनकी आँखें हर बार 'तुम जो कह दो तो आज की रात चाँद डूबेगा नहीं' सुन लेने ही से भर आती थीं।
जब ये याद आ जाता है तो जी भर आता है, उनका कहना था।
इसके बाद आया 'घर' से 'तेरे बिना जिया जाए ना', जिस के साथ रेखा जी की कहानी जुड़ी थी।
घर के निर्माता एन एन सिप्पी, और निर्देशक मानिक चटर्जी, जो उस समय अचानक अस्पताल में थे, के कहने पर गुलज़ार उनके लिए एक सेट पर निर्देशन करने गए थे। तब तक गुलज़ार ने रेखा के साथ कभी काम नहीं किया था लेकिन राखी जी के कारण रेखा उन्हें न सिर्फ जानती थीं बल्कि उनके पैर भी छूती थीं। फिर भी, पहले दिन जब रेखा सुबह की जगह दोपहर में सेट पर पहुँचीं, तो गुलज़ार ने उनसे कारण पूछा। कुछ झिझकने के बाद उन्होंने बताया कि उन्होंने गुलज़ार की फिल्म आंधी अब तक नहीं देखी थी और उन्हें लगा कि यदि उसके बारे में कोई बात हुई तो यह अच्छा नहीं लगेगा, और इसीलिए अभी वो आंधी देखने गयीं थीं।
अगला गीत था मासूम का लकड़ी की काठी। पहली कहानी शबाना आज़मी की जिन्होंने शेखर कपूर से कहा कि बच्चों का गाना गुलज़ार साहब को लिखना चाहिए। और दूसरी शेखर कपूर की जिन्होंने महसूस किया कि वो कुछ चुटकुले जोड़ कर खुद ही गीत बना सकते हैं। गुलज़ार ने पहले तो उन्हें कहा कि इस तरह नहीं हो पायेगा, लेकिन जब शेखर नहीं मानते दिखे तो गुलज़ार ने उन्हें पंचम के साथ काम शुरू करने को कहा। अगले दिन शेखर ने आकर गुलज़ार साहब को बताया कि शबाना जी ने उन्हें डांटा कि आप गुलज़ार साहब को उनका काम करने दें, बच्चों के लिए गाना लिखने वाले आप कौन होते हैं।
इसके बाद वो गीत जिस पर कार्यक्रम का नाम रखा गया था, मेरा कुछ सामान तुम्हारे पास पड़ा है।
आगे सीधे गुलज़ार के शब्दों में।
पंचम बैठे हुए थे, म्यूज़िक रूम में, और मैंने ये सुनाया पढ़ के। कहने लगा बहुत अच्छा सीन है यार। मैंने कहा सीन नहीं है गाना है। तो हारमोनियम के ऊपर वो चोपड़ियाँ, चोपड़ी कहता था वो, कापियां, पड़ी रहती थीं। ... और यूं धत कर के [हाथ के इशारे से] धकेल दी। धत, ये गाना है इतना लम्बा, कोई मीटर वीटर तुझे आता-वाता तो है नहीं। कल तू टाइम्स ऑफ़ इन्डिया ले के आयेगा और कहेगा इसकी भी धुन बना दो। ... पीछे बैठी हुई आशा जी ने इसी तरह, कुछ नहीं, बात क्या कर रहा था झाड़ रहा था मुझे, कि तुम कुछ सीखो इतने साल हो गए इंडस्ट्री में, आशा जी ने फ्रेज़ कोई गुनगुनाया तो नोट्स बड़े अच्छे लगे। तो उसने पूछा, बॉप, क्या गाया? कहने लगीं नहीं वो मुझे लौटा दो का फ्रेज़ इस तरह से बड़े अच्छे लगे।
और बस, कुछ ऐसी ही कहानी थी जिसका कुल जमा ये था कि वो पूरा गाना उन्होंने एक ही सिटिंग में पूरा बना दिया।
इसके बाद आया दिल हूम हूम करे, भूपेन हज़ारिका जी का संगीतबद्ध किया हुआ। इस गीत के विषय में एक बात जो गुलज़ार जी ने अपनी निजी राय कहकर बतायी, वो ये कि हालांकि ये गाना लता जी ने भी गाया है, उन्हें ये गीत भूपेन दा की आवाज़ में ज़्यादा पसन्द है।
अगला गीत था दिल से का शीर्षक गीत, दिल से रे।
लेकिन गुलज़ार के अनुसार रहमान का एक बहुत बड़ा योगदान जो संगीत में, खासकर फिल्म संगीत में, है, वो ये है कि हमारे यहाँ मुखड़े और अंतरे की जो एक व्यवस्था हमेशा से चली आ रही है, जिस में दो लाइन का मुखड़ा, दो लाइन का अन्तरा और एक लिंकिंग लाइन या क्रॉस लाइन होती है, रहमान ने उसे तोड़ दिया है। वो शास्त्रीय संगीत की ही तरह गीत का विस्तार कर देते हैं और स्थायी यानि मुखड़े को कहीं भी वापस ले आते हैं, जिसने गीत को blank verse के, नज़्म के पास ला दिया है।
इसके बाद बहुत जल्दी से चुपके से लग जा गले की बात हुई, और फिर हम आये कजरारे पर।
गुलज़ार के अनुसार गीत के हिट होने में ऐश्वर्या राय का बहुत बड़ा हाथ है। लेकिन अगली बात थी जिस पर लोगों की तालियाँ काफी देर तक नहीं रुकीं। तो फिर एक बार गुलज़ार साहब के शब्दों में।
शंकर एहसान लॉय, एक तो ये टीम कमाल की है, इन में शंकर महादेवन जो एक शख़्स है, वो करवट ले तो मेलोडी निकलती है.. वो आदमी इस कदर मेलोडी से भरा हुआ मटका है कि आप किसी तरफ से उड़ेल लीजिये...
और आगे उनकी आवाज़ तालियों में कुछ दब गयी है।
गाना लिखा जाना था ढाबे के हिसाब से जहां ट्रक आते और इसीलिए गीत कुछ इसी तरह से था जैसे ट्रक के पीछे के शेर, जैसे कि 'बर्बाद हो रहे हैं जी तेरे अपने शहर वाले।'
अगला गीत था झूम बराबर झूम का शीर्षक गीत जो फिर से शंकर महादेवन ने गाया था। अब कार्यक्रम समापन की ओर था और हालांकि हम बेहद खुश थे, दिल में कहीं एक छोटा सा सवाल आ रहा था कि क्या ये गीत गुलज़ार के सर्वश्रेष्ठ में था।
खैर, भावना जी ने कहा कि अगला गीत अन्तिम था और ये लगभग निश्चित था कि ये जब तक है जान का होगा, लेकिन हम आशा कर रहे थे कि गीत शायद 'हीर' होगा, लेकिन वो था जिया जिया रे। गुलज़ार साहब का यही कहना था कि एक हसरत रह गयी कि यश जी इस फिल्म को चलते हुए देख नहीं पाए, और एक ये कि 'जाते जाते मुझे एक तोहफा दे गए यश जी, कि एक बार ज़िन्दगी में उनके साथ काम कर लिया, वरना मैं अधूरा रह जाता कहीं न कहीं।'
ये एक ऐसा इंटरव्यू था और एक ऐसा दिन था जो हो सकता है कि जीवन में एक ही बार आये, और इसलिए मेरी ख़ुशी का ठिकाना नहीं था। लेकिन फिर भी एक सवाल था जो आया और फिर गया नहीं।
सवाल ये था कि इतने गीतों की फेहरिस्त में वो कहां गया।
वो, जो पिछले कई सालों से गुलज़ार साहब के पीछे रहा, जिसकी हर फिल्म में गुलज़ार के शब्द थे, और जो खुद, पंचम के जाने के बाद गुलज़ार की आखिरी दो फिल्मों का संगीतकार रहा। वो जिसने इस दशक की गुलज़ार की सोलह फिल्मों में से पांच का संगीत दिया है और जिस को कभी कभी गुलज़ार मंच से भी 'मुझको जवान रखने के लिए' शुक्रिया कहते रहे हैं।
मुझे लगता नहीं कि गुलज़ार साहब की फिल्मों पर ध्यान देने वाला कोई व्यक्ति उस नाम को 'मिस' कर सकता है, और इसीलिए लगता है कि ये शायद किसी की नाराज़गी ही थी जिसने उसे इस कार्यक्रम से दूर रखा।
अब इस सवाल का जो भी जवाब हो, सवाल इतना बड़ा है कि शायद थोड़ा सा चुभता तो रहेगा। अभी तो चप्पा चप्पा पूछ रहा है कि क्यों छोड़ आये हम...
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सोमवार, 17 जून 2013
Raanjhanaa/ Raanjhnaa: Lyrics, Meanings, Translations
Lyrics Translations
- Raanjhnaa Hua Main Tera Title Song Lyrics Translation
- Tum Tak Lyrics Translation
- Mun Tu Shudam Tu Mun Shudi Lyrics
- Nazar Laye Na Lyrics Translation
- Tohe Piya Milenge Lyrics Translation
- Rang Mein Bhang Banarasiya Lyrics Translation Meaning
Word/ Phrase Meanings
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रविवार, 16 जून 2013
Nazar Laye Na/ Tera Saara Main Lyrics Translation - Raanjhnaa
Movie: Raanjhanaa
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Rashid Ali, Neeti Mohan
Nazar Laaye Na, or Tera saara main, is a song sung by a girl who announces to the world that no one should see her beloved, who has become/about to become his husband, with an evil eye.
Maine haaraa, main teraa saaraa main
Meethaa meethaa tu, khaaraa khaaraa main
Tera saaraa main, saaraa main..
I have lost myself (to you), I am completely yours..
You're all sweet, while I am salty..
I am all yours.. all yours..
Sindooree.. rang suhaagan sachchaa
Sachcha re.. sarmaayaa jo paayaa hai wo
Tu dil mein maahee aayaa hai
Maine maahee paayaa hai
Nazar laaye naa, koi nazar laaye naa
Vermilion, is the true color of a wedded lady..
The valuable thing I have found (my love) is true too..
You have come into my heart, my beloved..
I have got my beloved..
Nobody look at him (with an evil eye)..
Dil ne shagun manaayaa hai
Ishq puraanaa aaya hai
Nazar laaye naa, koi nazar laaye naa
Nazar laaye jo tum ko jal jaaye wo
Jaan le, jag begaanaa ho
Nazar laaye na..
The heart has celebrated the auspicious time,
The old love is here..
Nobody look at him (with an evil eye..)
Even if the world becomes alien, or take my life..
Nobody look at him (with an evil eye..)
Maine haaraa, main tera saara main
Meethaa meethaa tu, khaaraa khaaraa main
Teraa saaraa main, saaraa main
Kaajal, teekaa peechhe kaanon ke
Nazron ko roke re
Duniyaa deti laakhon hi dhokhe
Meethee si ho ke re
Tan ki main mirche vaaroon
Saari sharam utaarun
Maahi naa jag ko haaroon
Kehtaa hai dil..
The kohl and black mark behind the ear,
keep the evil eye back..
The world deceives you in a hundred thousand ways..
I become sweet,
and all the chillies of myself, I sacrifice over you..
[Lemon and chillies is considered to keep evil eye away, and hence are hung at vehicles, doors, etc.]
I shall remove all my shyness,
But won't lose my beloved to the world..
This, my heart says..
Maine haara, main tera saara main
Meetha meetha tu, khaara khaara main
Tera saara main, saara main...
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Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Rashid Ali, Neeti Mohan
Nazar Laaye Na, or Tera saara main, is a song sung by a girl who announces to the world that no one should see her beloved, who has become/about to become his husband, with an evil eye.
Maine haaraa, main teraa saaraa main
Meethaa meethaa tu, khaaraa khaaraa main
Tera saaraa main, saaraa main..
I have lost myself (to you), I am completely yours..
You're all sweet, while I am salty..
I am all yours.. all yours..
Sindooree.. rang suhaagan sachchaa
Sachcha re.. sarmaayaa jo paayaa hai wo
Tu dil mein maahee aayaa hai
Maine maahee paayaa hai
Nazar laaye naa, koi nazar laaye naa
Vermilion, is the true color of a wedded lady..
The valuable thing I have found (my love) is true too..
You have come into my heart, my beloved..
I have got my beloved..
Nobody look at him (with an evil eye)..
Dil ne shagun manaayaa hai
Ishq puraanaa aaya hai
Nazar laaye naa, koi nazar laaye naa
Nazar laaye jo tum ko jal jaaye wo
Jaan le, jag begaanaa ho
Nazar laaye na..
The heart has celebrated the auspicious time,
The old love is here..
Nobody look at him (with an evil eye..)
Even if the world becomes alien, or take my life..
Nobody look at him (with an evil eye..)
Maine haaraa, main tera saara main
Meethaa meethaa tu, khaaraa khaaraa main
Teraa saaraa main, saaraa main
Kaajal, teekaa peechhe kaanon ke
Nazron ko roke re
Duniyaa deti laakhon hi dhokhe
Meethee si ho ke re
Tan ki main mirche vaaroon
Saari sharam utaarun
Maahi naa jag ko haaroon
Kehtaa hai dil..
The kohl and black mark behind the ear,
keep the evil eye back..
The world deceives you in a hundred thousand ways..
I become sweet,
and all the chillies of myself, I sacrifice over you..
[Lemon and chillies is considered to keep evil eye away, and hence are hung at vehicles, doors, etc.]
I shall remove all my shyness,
But won't lose my beloved to the world..
This, my heart says..
Maine haara, main tera saara main
Meetha meetha tu, khaara khaara main
Tera saara main, saara main...
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बुधवार, 5 जून 2013
Tohe Piya Milenge Lyrics Translation (Raanjhnaa, Sukhwinder Singh)
Movie: Raanjhanaa
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Sukhwinder Singh, with KMMC Sufi Ensemble
Tohe Piya Milenge is one of the best tracks of Raanjhanaa, and no doubt one of Rahman's favorites, Sukhwinder Singh gets it. And though the song has some moving music and some beautiful and slightly non-traditional arrangements, it's the lyrics of the song that create the soul of the song here.
Irshad Kamil's lyrics here are romantic and spiritual at the same time, the kind where a beloved turns into something closer to God, and God Himself can be considered to be a beloved. Basically these lyrics are highly inspired by what is actually the base of Sufism. Do listen to the song without thinking whether the piya [beloved] here is a human or God Himself, and you'll enjoy it all the more.
Jis ko dhoondhe baahar baahar
Wo baithaa hai bheetar chhup ke
Tere andar ek samandar kyoon dhoondhe dubke dubke..
The one that you search for, outside,
He's sitting inside (you), hiding..
There is a sea inside you, why do you search here and there..
Akal ke parde peechhe kar de
Ghoonghat ke pat khol de
Orey piyaa, piyaa
Tohe piyaa milenge, milenge
Tohe piyaa milenge, milenge..
Move the curtains of mind behind,
and open the veil..
You'll find your beloved..
You'll find your beloved...
Paa ke khona, kho ke paana
Hota aaya re
Sang saathi saa hai wo to
Wo hai saayaa re
To lose after finding, and to find after losing,
it has been happening (for long)..
He is with (you) like a companion,
He's a shadow..
Dagaa tune kee naa
Bas jee se jee mere
Bone seene mein wo tere dheeme dheeme re
You haven't cheated anyone,
Just live from my heart..
I have to sow Him in your heart slowly...
Jo hai dekhaa, wo hi dekha to kyaa dekhaa hai
Dekho wo jo auron ne naa kabhee dekhaa hai
Nainon se naa aisa kuchh dekhaa jaata hai
Nainaa meecho to wo sab dikh jaataa hai
Tohe piya milenge..
What have you seen if you've only seen that you have seen (with your eyes)
See what no one else has ever seen..
Such things are not seen with eyes..
If you close your eyes, everything can be seen..
You'll find your beloved..
Usi ko paana, usee ko chhoona, kaheen pe wo naa, kaheen pe tu naa
Usi ko paana, usee ko chhoona, kaheen pe wo na, kaheen pe tu naa
Jahaan pe wo naa, wahaan pe soonaa, Yahaan pe soonaa..
I have to get him only, I have to touch him alone,
Nowhere do I find him, nowhere are you there..
Where he's not there, there it's emptiness.. here, there is emptiness..
Tohe piya milenge, piya milenge, milenge
Tohe piya milenge, milenge milenge..
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Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Sukhwinder Singh, with KMMC Sufi Ensemble
Tohe Piya Milenge is one of the best tracks of Raanjhanaa, and no doubt one of Rahman's favorites, Sukhwinder Singh gets it. And though the song has some moving music and some beautiful and slightly non-traditional arrangements, it's the lyrics of the song that create the soul of the song here.
Irshad Kamil's lyrics here are romantic and spiritual at the same time, the kind where a beloved turns into something closer to God, and God Himself can be considered to be a beloved. Basically these lyrics are highly inspired by what is actually the base of Sufism. Do listen to the song without thinking whether the piya [beloved] here is a human or God Himself, and you'll enjoy it all the more.
Jis ko dhoondhe baahar baahar
Wo baithaa hai bheetar chhup ke
Tere andar ek samandar kyoon dhoondhe dubke dubke..
The one that you search for, outside,
He's sitting inside (you), hiding..
There is a sea inside you, why do you search here and there..
Akal ke parde peechhe kar de
Ghoonghat ke pat khol de
Orey piyaa, piyaa
Tohe piyaa milenge, milenge
Tohe piyaa milenge, milenge..
Move the curtains of mind behind,
and open the veil..
You'll find your beloved..
You'll find your beloved...
Paa ke khona, kho ke paana
Hota aaya re
Sang saathi saa hai wo to
Wo hai saayaa re
To lose after finding, and to find after losing,
it has been happening (for long)..
He is with (you) like a companion,
He's a shadow..
Dagaa tune kee naa
Bas jee se jee mere
Bone seene mein wo tere dheeme dheeme re
You haven't cheated anyone,
Just live from my heart..
I have to sow Him in your heart slowly...
Jo hai dekhaa, wo hi dekha to kyaa dekhaa hai
Dekho wo jo auron ne naa kabhee dekhaa hai
Nainon se naa aisa kuchh dekhaa jaata hai
Nainaa meecho to wo sab dikh jaataa hai
Tohe piya milenge..
What have you seen if you've only seen that you have seen (with your eyes)
See what no one else has ever seen..
Such things are not seen with eyes..
If you close your eyes, everything can be seen..
You'll find your beloved..
Usi ko paana, usee ko chhoona, kaheen pe wo naa, kaheen pe tu naa
Usi ko paana, usee ko chhoona, kaheen pe wo na, kaheen pe tu naa
Jahaan pe wo naa, wahaan pe soonaa, Yahaan pe soonaa..
I have to get him only, I have to touch him alone,
Nowhere do I find him, nowhere are you there..
Where he's not there, there it's emptiness.. here, there is emptiness..
Tohe piya milenge, piya milenge, milenge
Tohe piya milenge, milenge milenge..
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Rang mein Bhang Banarasiya: Lyrics Translation, Meanings (Raanjhnaa)
Movie: Raanjhanaa
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Shreya Ghoshal
Banarasiya is nothing but a person from Benares, or Banaras, or Varanasi, all different names for a place. It's a common way to call the natives of a place, like Mumbaiya. It's the same as New Yorkers, for example.
At the same time, Bana Rasiya could mean became a mad lover. So the word Banarasiya is used in two senses here, giving both the meanings. Such figure of speech with one word used for two meanings is known as Yamak Alankaar in Hindi/Sanskrit.
Aaye aye aye aye banaarasiyaa
Haye banarasiya
Here, here comes banarasiya..
Hey, banarasiya
Rang mein bhang ya bhang mein rang
Banarasiya, haye banarasiya
Sang mein jang ya jang mein sang
Banarasiya, haye banarasiya
are they impediment in joy, or the color of joy itself,
The Banarasiya..
Is it a fight with them, or is it them with us in fight?
The Banarasiya..
Haan haan haan haaye banrasiya
Haaye banarasiya
Aaaaa Banarasiya
Chaal chalaaki har hushiyari jaanat yoon to
Sab nar naari
Man ke par bhole bhandari
Ghaat kinaare umar guzaari, ghaat banarasiya
Thaathon mein thaath banarasiya
Haaye haaye thaath banarasiya
As such all men and women know all the tricks of the trade,
but they are simple at heart..
They live their lives next to ghaut, and the ghaut is that of Banaras..
The biggest luxury among luxuries is that of Banaras..
Yeah, the luxury is that of Banaras..
[Ghaat (Anglicized: Ghaut) is a broad flight of steps at the sides of rivers where one can sit and bathe easily.]
Rang mein bhang ya bhang mein rang
Banarasiya, haye banarasiya
Sang mein jang ya jang mein sang
Banarasiya, haye banarasiya
Turat-furat mein sab kar jaavein
Aayi pe jo apni aave
Turat-furat mein sab kar jaavein
Aayi pe jo apni aave..
They do everything in an instant,
if they come in their own color..
Taal mein jab ye taan dabaave
Gaal mein jab ye paan dabaave
Teen taal mein chalte jaave
Baat banarasiya, haaye baat banarasiya
Baat banarasiya..
When they put the rhythm in raagas
and put a Betel leaf under their cheek,
They keep going in teen-taal..
That's a Banarasiya style..
Yeah, a style of Banaras..
[Teen Taal is one of the most common Taals in Hindustani music and makes a simple rhythmic structure against which most musical performances can be made.]
Thaathon mein thaath banarasiya
Haaye haaye thaath banarasiya
Thaath banarasiya..
Rang mein bhang ya bhang mein rang
Banaarasiya, haye banaarasiya
Sang mein jang ya jang mein sang
Banaarasiya, haye banarasia..
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Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Shreya Ghoshal
Banarasiya is nothing but a person from Benares, or Banaras, or Varanasi, all different names for a place. It's a common way to call the natives of a place, like Mumbaiya. It's the same as New Yorkers, for example.
At the same time, Bana Rasiya could mean became a mad lover. So the word Banarasiya is used in two senses here, giving both the meanings. Such figure of speech with one word used for two meanings is known as Yamak Alankaar in Hindi/Sanskrit.
Aaye aye aye aye banaarasiyaa
Haye banarasiya
Here, here comes banarasiya..
Hey, banarasiya
Rang mein bhang ya bhang mein rang
Banarasiya, haye banarasiya
Sang mein jang ya jang mein sang
Banarasiya, haye banarasiya
are they impediment in joy, or the color of joy itself,
The Banarasiya..
Is it a fight with them, or is it them with us in fight?
The Banarasiya..
Haan haan haan haaye banrasiya
Haaye banarasiya
Aaaaa Banarasiya
Chaal chalaaki har hushiyari jaanat yoon to
Sab nar naari
Man ke par bhole bhandari
Ghaat kinaare umar guzaari, ghaat banarasiya
Thaathon mein thaath banarasiya
Haaye haaye thaath banarasiya
As such all men and women know all the tricks of the trade,
but they are simple at heart..
They live their lives next to ghaut, and the ghaut is that of Banaras..
The biggest luxury among luxuries is that of Banaras..
Yeah, the luxury is that of Banaras..
[Ghaat (Anglicized: Ghaut) is a broad flight of steps at the sides of rivers where one can sit and bathe easily.]
Rang mein bhang ya bhang mein rang
Banarasiya, haye banarasiya
Sang mein jang ya jang mein sang
Banarasiya, haye banarasiya
Turat-furat mein sab kar jaavein
Aayi pe jo apni aave
Turat-furat mein sab kar jaavein
Aayi pe jo apni aave..
They do everything in an instant,
if they come in their own color..
Taal mein jab ye taan dabaave
Gaal mein jab ye paan dabaave
Teen taal mein chalte jaave
Baat banarasiya, haaye baat banarasiya
Baat banarasiya..
When they put the rhythm in raagas
and put a Betel leaf under their cheek,
They keep going in teen-taal..
That's a Banarasiya style..
Yeah, a style of Banaras..
[Teen Taal is one of the most common Taals in Hindustani music and makes a simple rhythmic structure against which most musical performances can be made.]
Thaathon mein thaath banarasiya
Haaye haaye thaath banarasiya
Thaath banarasiya..
Rang mein bhang ya bhang mein rang
Banaarasiya, haye banaarasiya
Sang mein jang ya jang mein sang
Banaarasiya, haye banarasia..
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सोमवार, 3 जून 2013
Raanjhnaa Hua Main Tera Kaun Tere Bin Mera Lyrics Translation
Movie: Raanjhanaa
Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Jaswinder Singh, Shiraz Uppal
Starring: Dhanush, Sonam Kapoor
Aa jaa aaja dil ke gaaon
Raahein dekhe koi
Jaagegi phir kismat sohney
Thee ab tak jo soyee..
Come to the village of the heart,
someone waits for you..
Fate will be with me again, o dear,
that was not with me till now..
Hua chaaron ore shehnaayi shor
Tu meri ore chal niklaa
Chadhi prem lor, o dil ke chor
Kar meri bhor, ab mukh dikhlaa
In all directions there is noise of Shehnai,
that you've started towards me..
The wave of love is high, o my heart's thief,
now make it morning for me, show me your face..
Raanjhanaa hua main tera
Kaun tere bin meraa
Raunakein tum hi se meri
Kaun tere bin mera
Tera hai chaar sooN pehra
Kaun tere bin meraa..
I've become a mad lover for you,
Who other than you is mine..
All my celebrations are from you,
Who other than you is mine..
You're there in all directions,
Who other than you is mine..
[i.e., all I have in this world is you.]
Tan thirke thirke
Man behke behke
Tera keh ke kehke khud ko
Mere dil ki baat jaane kaaynaat
Tere dil ki khabar bas mujh ko
My body dances
and heart goes intoxicated,
calling you my own..
This love of mine is known to the world,
but your heart's knowledge is limited to me..
Aa na baatein pyaar ki laana
Aa na thodaa pyaar jataanaa
Raanjhnaa hua main teraa..
Kaun tere bin mera
Come, get some talks of love with you,
Come, express your love a little..
[aa naa is more like pleading her to come]
I've become a mad lover for you,
Who other than you is mine..
Rang bikhra bikhraa
Sab nikhra nikhraa
Jaayein jidhar jidhar ye nainaa
Mujhe khud pe naaz
Hua paglaa aaj
Rahaa apne hi bas hoon main naa
I see colors flying
and all beautiful,
wherever I see..
I am proud of myself,
I have gone mad today,
I am not in my own control today..
Aa naa mujhe bas kar lena
Aa naa jaan hans kar lena
Come, come and control me,
Come and take my life happily
[and I'll be glad to do even that]..
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Music: A R Rahman
Lyrics: Irshad Kamil
Singer: Jaswinder Singh, Shiraz Uppal
Starring: Dhanush, Sonam Kapoor
Aa jaa aaja dil ke gaaon
Raahein dekhe koi
Jaagegi phir kismat sohney
Thee ab tak jo soyee..
Come to the village of the heart,
someone waits for you..
Fate will be with me again, o dear,
that was not with me till now..
Hua chaaron ore shehnaayi shor
Tu meri ore chal niklaa
Chadhi prem lor, o dil ke chor
Kar meri bhor, ab mukh dikhlaa
In all directions there is noise of Shehnai,
that you've started towards me..
The wave of love is high, o my heart's thief,
now make it morning for me, show me your face..
Raanjhanaa hua main tera
Kaun tere bin meraa
Raunakein tum hi se meri
Kaun tere bin mera
Tera hai chaar sooN pehra
Kaun tere bin meraa..
I've become a mad lover for you,
Who other than you is mine..
All my celebrations are from you,
Who other than you is mine..
You're there in all directions,
Who other than you is mine..
[i.e., all I have in this world is you.]
Tan thirke thirke
Man behke behke
Tera keh ke kehke khud ko
Mere dil ki baat jaane kaaynaat
Tere dil ki khabar bas mujh ko
My body dances
and heart goes intoxicated,
calling you my own..
This love of mine is known to the world,
but your heart's knowledge is limited to me..
Aa na baatein pyaar ki laana
Aa na thodaa pyaar jataanaa
Raanjhnaa hua main teraa..
Kaun tere bin mera
Come, get some talks of love with you,
Come, express your love a little..
[aa naa is more like pleading her to come]
I've become a mad lover for you,
Who other than you is mine..
Rang bikhra bikhraa
Sab nikhra nikhraa
Jaayein jidhar jidhar ye nainaa
Mujhe khud pe naaz
Hua paglaa aaj
Rahaa apne hi bas hoon main naa
I see colors flying
and all beautiful,
wherever I see..
I am proud of myself,
I have gone mad today,
I am not in my own control today..
Aa naa mujhe bas kar lena
Aa naa jaan hans kar lena
Come, come and control me,
Come and take my life happily
[and I'll be glad to do even that]..
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बुधवार, 29 मई 2013
Mun Tu Shudam Tu Man Shudi Lyrics Translation Raanjhnaa Raanjhanaa
Movie: Raanjhnaa/ Raanjhanaa/ Ranjhna
Music: A. R. Rahman
Lyrics: Irshad Kamil
Singers: A. R. Rahman, Rabbi Shergill
Tu Mun Shudi, the song is based on the first four lines taken from Amir Khusro's Sufi Kalaam, and were written in Persian. Other than the deep lines of the beginning, the lyrics of the entire songs are lovely, and especially the last para where the protagonist talks about a free world.
Too mun shudee tu mun shudi
Mun tu shudam tu mun shudee
You have become me, you have become me
I have become you, you have become me
Rangle rangeele ne ladkey badey, haan..
rahn dey hawaawaan dee godi te chadhhey
The boys are vibrant and happy hearted
We ride high on the horses of wind
Hai niddar dil daa safar
Ho niddar dil de hamsafar
Raj key humsey wafayein lenaa
Taazaa hawaayein lenaa
The journey of heart is fearless
Oh the companion of the heart, be fearless
Take faithfulness from us
Take fresh air from us
Terey layee hum chaand khareedengey
Haan, banglaa naa dengey
Par chain ko laadengey
Sab aundey saanu ahoje kartab ni
We shall buy the moon for you
We won't give you a bungalow
But we will bring peace
We are familiar with such ways
Tadpe kyun tu, ainvai talab se
Naino se pee, yaa tu pee lab se
Par naa tu jhoothaa pyar kari
Yaar dari Rab se
Why do you agonize with craving just like that,
Drink with the eyes, or with lips..
But don't love for fake..
O friend, have fear of God..
Changee saugaatein
Hain sachchee mulaqaatein
Mohabbaton ki baatein
Bol dil ye dilbar kab se
Nice gifts
true meetings are,
(and) Talks of love are..
Say O heart, since when is s/he a beloved..
Haan dil ke kisse mein
Jo din hai hisse mein
Laaye jaayenge, paaye jaayenge laayenge
Woh dil se..
Hata de fikrein
Bhula de fikrein
Jala de fikrein
In the story of heart,
whatever days are there in your share (in your fate)
They'll be brought, they'll be had,
s/he'll get them (to you) from the heart..
Remove the worries,
forget the worries,
burn the worries..
Yaaraa sang aa aa jahaan khwaabon ka doonga
Jis mein hogaa sab zindaa
Sheher bhi dil ke maanindaa
Khul kar saansein legaa baashindaa
Come O beloved, I'll give you the world of dreams,
Where everything will be living..
Even the city will be like heart itself,
One will breathe freely (there)..
[as in, one will be completely free there.]
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Music: A. R. Rahman
Lyrics: Irshad Kamil
Singers: A. R. Rahman, Rabbi Shergill
Tu Mun Shudi, the song is based on the first four lines taken from Amir Khusro's Sufi Kalaam, and were written in Persian. Other than the deep lines of the beginning, the lyrics of the entire songs are lovely, and especially the last para where the protagonist talks about a free world.
Too mun shudee tu mun shudi
Mun tu shudam tu mun shudee
You have become me, you have become me
I have become you, you have become me
Rangle rangeele ne ladkey badey, haan..
rahn dey hawaawaan dee godi te chadhhey
The boys are vibrant and happy hearted
We ride high on the horses of wind
Hai niddar dil daa safar
Ho niddar dil de hamsafar
Raj key humsey wafayein lenaa
Taazaa hawaayein lenaa
The journey of heart is fearless
Oh the companion of the heart, be fearless
Take faithfulness from us
Take fresh air from us
Terey layee hum chaand khareedengey
Haan, banglaa naa dengey
Par chain ko laadengey
Sab aundey saanu ahoje kartab ni
We shall buy the moon for you
We won't give you a bungalow
But we will bring peace
We are familiar with such ways
Tadpe kyun tu, ainvai talab se
Naino se pee, yaa tu pee lab se
Par naa tu jhoothaa pyar kari
Yaar dari Rab se
Why do you agonize with craving just like that,
Drink with the eyes, or with lips..
But don't love for fake..
O friend, have fear of God..
Changee saugaatein
Hain sachchee mulaqaatein
Mohabbaton ki baatein
Bol dil ye dilbar kab se
Nice gifts
true meetings are,
(and) Talks of love are..
Say O heart, since when is s/he a beloved..
Haan dil ke kisse mein
Jo din hai hisse mein
Laaye jaayenge, paaye jaayenge laayenge
Woh dil se..
Hata de fikrein
Bhula de fikrein
Jala de fikrein
In the story of heart,
whatever days are there in your share (in your fate)
They'll be brought, they'll be had,
s/he'll get them (to you) from the heart..
Remove the worries,
forget the worries,
burn the worries..
Yaaraa sang aa aa jahaan khwaabon ka doonga
Jis mein hogaa sab zindaa
Sheher bhi dil ke maanindaa
Khul kar saansein legaa baashindaa
Come O beloved, I'll give you the world of dreams,
Where everything will be living..
Even the city will be like heart itself,
One will breathe freely (there)..
[as in, one will be completely free there.]
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